Abstract

This article examines how the war correspondent Thomas Goltz negotiates the representation of war and conflict, and the exigencies of his profession as a journalist, through diary. Particularly in Chechnya Diary, the second in his "Caucasus Trilogy," Goltz uses the diary to focus on his profession and to make particular ethical and moral dilemmas visible. For Goltz, diary is a political tool, but the problem is it is also a personal device.

pdf

Additional Information

ISSN
1529-1456
Print ISSN
0162-4962
Pages
pp. 584-604
Launched on MUSE
2007-02-05
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.