Notes on Contributors
Ruth Abbott has just completed an MPhil at Clare College, Cambridge on Wordsworth's Versification. She continues her postgraduate studies in Cambridge in a PhD.
Thomas Day is a lecturer in English at the University of Central Lancashire. He has published a number of essays and articles on modern poetry, and is currently writing a monograph on Geoffrey Hill.
Leland de la Durantaye is an Assistant Professor of English and American Language and Literature at Harvard University. His book Style is Matter. The Moral Art of Vladimir Nabokov is forthcoming from Cornell University Press in Spring 2007.
Penny Fielding is a senior lecturer in English at the University of Edinburgh. She is the author of Writing and Orality: Nationality, Culture and Nineteenth-century Scottish Fiction and editor of Scott's The Monastery.
Matthew Gaughan is completing his PhD on the representation of class in the work of D. H. Lawrence, Walter Greenwood, and Alan Silitoe. He is currently Managing Editor of the journal Modernism/Modernity.
Jon Kear is a lecturer in the Department of History and Theory of Art at the University of Kent. He is currently completing two books, one on Paul Cézanne and another on Fantin Latour.
James McLaverty is Professor of Textual Criticism at Keele University. He prepared David Fleeman's bibliography of Samuel Johnson for publication, and is currently a general editor of the Cambridge Swift.
Sebastian Mitchell is a lecturer in English Literature at the University of Birmingham. He has published recently on Ossian, Oliver Goldsmith, depictions of eighteenth-century childhood, and Socratic dialogue.
Lucy Razzall graduated from Jesus College, Cambridge in June 2006 with a first-class English degree.
Richard Rowland is Lecturer in Drama and English at the University of York. He has edited plays by Marlowe, Chapman and Jonson, and Edward IV for the Revels Series.
Rebecca Yearling is a postgraduate student at Worcester College, Oxford. She is currently in the final year of her doctoral thesis on Ben Jonson and John Marston.
