Abstract

During the second Palestinian intifada (uprising), which began in September 2000, martyr funerals and posters were the most predominant form of memorialization. These practices did not constitute simple expressions of nationalist sentiment; they created a public sphere in which participants and observers were hailed as national subjects, while simultaneously generating a forum in which public political debate occurred. This article explores the tensions among different visions of the Palestinian national project that appeared through these commemorative practices as the normative effects of martyr memorialization dissolved into criticism, cynicism and apathy.

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