Contributors
- Contributors
James Davies (jqd20@cam.ac.uk) is a Research Fellow in Music at Gonville and Caius College, Cambridge. He has trained or worked at the University of the Witwatersrand (Johannesburg), the Royal Northern College of Music (Manchester) and the Purcell School (London). His academic work addresses the music and cultural history of the 1820s and 30s. Recent publications appear in 19th-Century Music, Opera Quarterly and Cambridge Opera Journal. In July 2007, he will take up an Assistant Professorship at the University of California at Berkeley.
Berta Joncus (berta.joncus@music.ox.ac.uk) is a British Academy postdoctoral Fellow in Music at St Catherine’s College, Oxford. After studying and working in Vienna as a singer and writing her MA at the University of Bonn, she worked with Stanley Sadie as an editor at The New Grove Dictionary. She completed her doctoral studies at Oxford University in April 2004, and has contributed articles to Eighteenth-Century Music and the Journal for the British Society of Eighteenth-Century Studies. She writes CD reviews for the BBC Music Magazine.
Nicholas Marston (njm45@cam.ac.uk) is University Reader in Music Theory and Analysis at the University of Cambridge, and a Fellow of King’s College. He is currently writing a book on Schenker’s unpublished Erläuterungsausgabe of Beethoven’s ‘Hammerklavier’ Sonata, and is collaborating with Ian Bent in an online edition (http://www.columbia.edu/∼idb1/schenker) of Schenker’s correspondence.
Keith Negus (k.negus@gold.ac.uk) has worked at the Universities of Leicester and Puerto Rico and is currently based in the Department of Music at Goldsmiths College. His books include Producing Pop (1992), Popular Music in Theory (1996), Music Genres and Corporate Cultures (1999) and Creativity, Communication and Cultural Value (2004), the latter jointly written with Michael Pickering.
Gabriel Solis (gpsolis@uiuc.edu) is Assistant Professor of Music at the University of Illinois, Urbana-Champaign. He received a Ph.D. in ethnomusicology and music history from Washington University in St Louis in 2001. He is the author of articles on jazz and popular music in, among other places, Ethnomusicology and The Musical Quarterly. His book Monk’s Music: A Legacy in the Making is to be published shortly by the University of California Press, and he is currently doing research on topics ranging from Aboriginal music of North Queensland, Australia, to Gil Scott-Heron.
