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  • Elegy for Mister Rogers:—In memory of Fred Rogers
  • Curtis Crisler (bio)

Fred came daily, met me at sofa—we played on train tracks with tigers, lions, and mailmen.

His smile, an infection—a disease for the better. A white man slumming in a black boy's never-

never, lands softly. Life: was Fred. He gave me songs, colors, words—friends to wake up to.

Now, I wake to ghost—red sweater—hate that his voice roams new boulevards. I cannot boss

this spinning top in me whirling like so many for reparations of hope—a bronze of lost pennies

adding up for high-life tomorrows. Fred is dead. The rappers aren't spitting any verses, knowing

they all grew up with "It's such a good feeling to know you're alive" as a backbeat, before Run

DMC, Eric B. and Rakim, Tupac and Biggy. He's without me to smile back at him this time,

to say, "Hi neighbor. It is such a good feeling." Why should it surprise, upset me—an anchor kills

scavengers when it hits; heads turn away at 6 and 10 time slots. Fred kicked it with me, loved to "rock

the ave." A rot in me bubbles. It's winter, now— a Philly blizzard, no move. "Mister Rogers?

Mister Rogers?" No one's singing. The jazz waits, antsy in empty studio. The piano looks for bits [End Page 803]

of keys to work—for crescendo, a crumb. Trains derail in Illinois, Kentucky, and in Maine to ticker-

tape him—no time slot for his majesty—just hard- core PBS burning a soft valid voice on celluloid.

Curtis Crisler

Curtis L. Crisler, a lecturer at Indiana Purdue Fort Wayne, has published The Ringing Ear, L'intrigue, The Fourth River, Only the Sea Keeps: Poetry of the Tsumani, and other periodicals and anthologies.

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