Abstract

During the second two decades of the twentieth century, Hollywood cinematographers drew on the conventions of portrait photography to develop their own figure-lighting strategies. Although the two practices relied on different kinds of technology, cinematographers retained the larger strategy of structuring their stylistic techniques according to a logic of sexual difference.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 90-108
Launched on MUSE
2006-07-31
Open Access
No
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