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Two Kinjiki: Diametrical Oppositions
- TDR: The Drama Review
- The MIT Press
- Volume 50, Number 2 (T 190), Summer 2006
- pp. 154-158
- Article
- Additional Information
Abstract
Juxtaposing two performances entitled Kinjiki-by Tatsumi Hijikata (1959) and Itoh Kim (2005)- reveals the divergence of contemporary Japanese dance from butoh's expression of eroticism and violence toward a post-butoh aesthetic that is concerned with a more relational and social game.
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