In lieu of an abstract, here is a brief excerpt of the content:

Prairie Schooner 80.2 (2006) 190-191



[Access article in PDF]

My father's name is Jose. He's been a widower, and: The poet's obligation is to write a true

translated from the Spanish by Steven J. Stewart and Patrick Madden

My father's name is José. He's been a widower

My father's name is José. He's been a widower
since he was thirty-two. He's seventy-three
now. He became a widower when my mother, Elena, died
at thirty-two. A communist. My uncles, the
brothers of my mother and neighbors of my father,
said he was a communist. All my childhood I heard
my father was a communist, during
the fifties, when the American influence
(now you would say North American, but at the time
it was the American influence) shone in the shoes
of Doris Day, red like my shame, not like my sex,
red like the dressing rooms.
To be a communist in Uruguay in the fifties was
to be brave because they stoned you. The son of José,
the communist, orphaned by his mother, aware
that they stoned you, for a long time I believed I was Christ.
When he was fifty my father was put in jail, made prisoner.
He appeared on television, head shaven, alias Jacinto, connected
to the Tupamaro guerrilla movement. He was sentenced
   to 24 years of prison
but got out in half the time, twelve years, amnestied.
Those twelve years as a prisoner he spent in the Establecimiento
Penal de Reclusión Militar no. 1, or "Liberty." He
spent 12 years as a prisoner in "Liberty." As for me,
it was no longer possible for me to escape from poetry. [End Page 190]

The poet's obligation is to write a true

The poet's obligation is to write a true
glass, something sublime that's useful for more
than just living. Living has never been enough.
To ask for essence, to ask for marrow, to ask for bone:
to ask for a hardening of the sand, if the sand
is still fragile, light of feet, shrouded feet,
is to ask for limestone, sedimentary rock. Out of thirst
for you naked as if returning to the Precambrian.
Something terrible happened to us and we knew it:
the bone that we asked of the poem was the same
bone as the bone of Africa
although we wished for rock.
The sands of Africa are filled with poems.
Eduardo Milán has published seventeen books of poetry, several collections of criticism, and two anthologies of Spanish-language poetry. He currently resides in Mexico.
Steven J. Stewart received a Literature Fellowship for Translation by the National Endowment for the Arts in 2005. He is the author of Devoured by the Moon (Hanging Loose P), a book of translations of Spanish poet Rafael Perez Estrada.
Patrick Madden received a Fulbright Fellowship to study in Uruguay. His work has appeared in the Mississippi Review, Crab Orchard Review, and elsewhere.


...

pdf

Additional Information

ISSN
1542-426X
Print ISSN
0032-6682
Pages
pp. 190-191
Launched on MUSE
2006-05-31
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.