Personal names are identified as author (a), composer (c), editor (e), performer (p), reviewer (r), or translator (t); names not so identified are subject entries. Titles of articles published in Notes are contained in quotation marks; titles of reviewed books, compositions, sound recordings, videos, and electronic media are italicized. Series titles are entered only under the following headings: Books in series; Scores in series; Complete and collected editions; and Historical sets and monuments of music. Entries are alphabetized word-by-word.

Abbado, Claudio, interviews, 786–87, p 786–87

Abrams, Alissa, r 729–30

accordion, methods, 445–47

Acosta, Leonardo, a 95–100

Adams, John Luther, a 378–79

Adams, Michael, r 791–93

Adams, Samuel C., Jr., a 991–94

Adès, Thomas, c p 474–75

"Administrative Structure," 217–33

advertising, music, France, 412–13

aesthetics, music, 116–18, 136–38, 961–63

African-American Baptists, Mississippi, music, 142–45

African Americans, Mississippi Delta, social life and customs, 991–94; music, 983–86

The Age of Chopin: Interdisciplinary Inquiries, 121–22

Aida (Verdi : DVD), 782

Alaska, 378–79

Albania, folk music, 367–69

Albanian Urban Lyric Song in the 1930s (Koço), 367–69

All My Heart (Voigt : CD), 1044–45

Allen Memorial Library/University of Hartford, 364

Álvarez, Carlos, p 781–82

American Library Association, Library Instruction Round Table, 365

American music, collections, 621–62

Amner, John, c 1052–54

Analog Days (Pinch & Trocco), 404–6

Andersen, Leslie, "Video Reviews," 781–93

Anderson, Rick, "Sound Recording Reviews," 448–77, 1030–48

Andreev, Kostadin, p 782

anthems, 199–202, 1052–54

Antonacci, Anna Caterina, p 781–82

archives: New England Conservatory of Music, 364–65; The Women's Philharmonic, 682–83

archives, audiovisual, 100–4

Archives for the Future, 100–4

Arditti Quartet, p 474–75

Arlen, Harold, 788–89

Armide (Lully), 797–802

Armstrong, Louis, encyclopedias, 397–99

artist colonies, New Hampshire, 989–91

artistic collaboration, 788

Ashby, Arved, a 973–75

Asher, Alan, r 110–12

Asian Americans, music, 391–93

At Carnegie Hall (Monk & Coltrane : CD), 1045

Atomic Platters (CD), 1047–48

Atwell, Scott David, r 382–83

Aubrey, Elizabeth, r 387–89

audiovisual archives, 100–4

Auerbach, Lera, p 1043–44

awards, grants, prizes, 87–88, 365, 680–82, 941–42

Bach, Johann Sebastian, passions, 724–27

Bach, P. D. Q., 322–53

Bad Music, 136–38

Ballade von der sexuellen Hörigkeit und andere Songs (Weill), 481–86

ballets, excerpts, 473–74

The Bals publics at the Paris Opera in the Eighteenth Century (Semmens), 380–82

Balthazar, Scott L., e 720–22

banjo, Irish tenor, methods, 445–47

Baszak, Mark, e 983–86

B/C button accordion, methods, 445–47

Beasley, Brenda Gale, r 136–38

Beaumont, Antony, t 125–27 [End Page 1117]

Becker, Judith, r 372–74

Beethoven, Ludwig van, sonatas, violin and piano, 114–16; c 474, 1044

The Beethoven Violin Sonatas: History, Criticism, Performance, 114–16

behavior evolution, 944–49

Beisswenger, Drew, r 410–12

Belcea Quartet, p 474–75

Beller-McKenna, Daniel, a 118–21

Bembo, Antonia Padoani, c 473

Berkeley-Steele, Richard, p 784

Berlin Philharmonic, p 786–87, 790–91

Bernstein, Leonard, c 790–91

Bhattacharya, Debashish, p 475

bibliographic instruction, 663–79

bibliographies: conference proceedings, 106–7; ethnomusicology, 708–11; H. F. Gilbert, 122–25; orchestra music, 949– 50; Paris, 18th century, 412–13; wind concertos, 730–32

Bibliography and Discography on Music for Solo Wind Instruments and Orchestra (Haug), 730–32

Billy, Bertrand de, p 782–83

biographies: H. F. Gilbert, 122–25; Monteux, 981–83; Van de Vate, 978–79; Zimbalist, 110–12

birdsongs, 944–49

The Birth of the Orchestra (Spitzer & Zaslaw), 112–14

Black Musicians Conference, 983–86

Blacks, Cuba, music, 95–100

Blazekovic´, Zdravko, Duckles Award, 680; e 106–7

Bloch, Ernest, correspondence, 74–86

Blow, John, c 1052–54

blues, 983–86; Mississippi, 991–94

bodhrán, methods, 445–47

Bolig, John R., a 407–10

Bomberger, E. Douglas...