Ken Gonzales-Day, Untitled (double-portrait) #94, C-print mounted on aluminum, 50 × 38 in, 1999. (© Ken Gonzales-Day) Fragmented double-portrait shot with a 4 × 5 camera on a 36˝ rail. Captured in extreme detail, this image seems to ask whether a portrait can still be called a portrait, even if one cannot recognize the sitter.
Harold Cohen, AARON screen image, 1999. (© Harold Cohen)
[End Page 51]
Anne Morgan Spalter et al., Museum of Color, hue, saturation and value (HSV) cylinder rendered as a wire frame, with falling disks colored according to their changing locations. (© Anne Morgan Spalter) The user approaches (top) and then enters the space (bottom). See Special Section article by Anne Morgan Spalter et al.
This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.