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  • Color Plates

Color Plate A


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No. 1.

Ken Gonzales-Day, Untitled (double-portrait) #94, C-print mounted on aluminum, 50 × 38 in, 1999. (© Ken Gonzales-Day) Fragmented double-portrait shot with a 4 × 5 camera on a 36˝ rail. Captured in extreme detail, this image seems to ask whether a portrait can still be called a portrait, even if one cannot recognize the sitter.


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No. 2.

Harold Cohen, AARON screen image, 1999. (© Harold Cohen)

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Color Plate B


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No. 1.

Anne Morgan Spalter et al., Museum of Color, hue, saturation and value (HSV) cylinder rendered as a wire frame, with falling disks colored according to their changing locations. (© Anne Morgan Spalter) The user approaches (top) and then enters the space (bottom). See Special Section article by Anne Morgan Spalter et al.

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