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  • Double Exposure: Cutting Across Buddhist and Western Discourses
  • Steven Heine
Double Exposure: Cutting Across Buddhist and Western Discourses. By Bernard Faure. Translated by Janet Lloyd. Stanford: Stanford University Press, 2004. Pp. xiv + 174. Hardcover $49.50. Paper $21.95.

In some ways, Double Exposure: Cutting Across Buddhist and Western Discourses by Bernard Faure seems quite different from other publications by this author, including several books that were also translated from the French such as Visions of Power and Will to Orthodoxy, which have a specific focus on the practice of Chan or on gender issues in Buddhism. Double Exposure deals with broad, wide-ranging philosophical themes concerning Buddhist thought set in comparative contexts with Western intellectual history since the Enlightenment, especially continental European philosophy. Faure is well known from previous works for his extensive explorations of poststructural theory in examining historical and doctrinal buddhological issues. Clearly, however, this book was intended primarily not for Buddhist studies scholars but for an audience of French intellectuals and cultural critics, encompassing but more diverse than the academic community, who wish to understand how the discourse of Buddhism pertains to, yet remains distinct from, their own recent history of thought. Rather than citing a particular set of poststructural thinkers to illuminate Buddhism, Faure does the converse and uses Buddhism to make key points about the development of Western thought.

At the same time, Double Exposure is consistent with and an extension of Faure's earlier books in that it tracks the role of the twofold or double in its various manifestations both in Buddhist thought and in methodological approaches to interpreting Buddhism. Faure is endlessly fascinated by and delights in exposing the fact that the Buddhist tradition, nwhich claims to espouse a standpoint of nondualism, invariably and inevitably divvies reality up into an endless series of polarities and paradoxes regarding the apparent oppositions or contradictions between the realms of nirvāṇa and samsāṃra, karmic causality and transcendence of karma, ultimate and mundane reality (or two levels of truth), and sudden and gradual enlightenment. He asserts: "The history of Buddhism . . . seems to be governed by what Bergson, in The Two Sources of Morality and Religion, suggested calling the 'law of dichotomy,' a law which apparently brings about a realization, by a mere splitting, of tendencies which began by being two views, so to speak, of one and the same tendency" (p. 124). [End Page 178]

In addition to Bergson, Faure cites classical notions like the Platonic division between the ideal form and the world of concrete forms, the two-faced Roman god Janus who rules over past and future, and the Manichaean split between good and evil. Faure also emphasizes more recent French thinkers and scholars, including Emile Beneviste, Nayla Farouki, Michel Foucault, Maurice Merleau-Ponty, and Henri Micheaux, among others, who in probing the "diabolical" sense of truth versus error, which are considered eternal contraries in Western thought, especially in Christianity, are useful for discussing parallels and differences with Buddhism.

Double Exposure also discusses interpretive debates about whether Buddhism should be seen as epitomizing agnosticism versus mysticism, pragmatism versus supernaturalism, or rationalism versus mythology, as well as conflicts in using the method of psychology as opposed to anthropology and the impact of hidden, or not-so-hidden Orientalist and reverse Orientalist tendencies. Perhaps the best organized chapter in the book is "The Major Schools" (chapter 5), which offers a quick but insightful overview of early Buddhist realism, Yogācāra idealism, the Mādhyamika middle way, and Chan's compromise between immanence and transcendence. The most imaginative section is "External Thought" (chapter 8), which delves into a vast array of topics. These range from Tantric sexuality as a form of spiritual energy and Diderot's view of the perpetual shifting of ordinary thought to Zongmi's image of the bright pearl as a metaphor for sudden realization compared with Paul Claudel's own pearl metaphor in Conversations dans le Loir-et-Cher, which evokes a gradual path of self-understanding.

I think Faure's main aim in all his many publications is to explore and expose the wedges, gaps, and inconsistencies, without making a judgment other than to underscore that what...


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