Contributors
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Tom Conley teaches French Literature at Harvard. His interests include Early Modern French Literature, Film and Media Studies, and the Intersection of Literature and Graphic Imagination. His most recent publications are The Sovereign Map (A translation of Christian Jacob, L’Empire des cartes) (Chicago, 2005) and A Map in a Movie: A Study of Cartography and Cinema (Minnesota, forthcoming 2006).
Ludovic Cortade, former student at l’Ecole normale supérieure, earned his doctorate at l’Université de Paris I Panthéon-Sorbonne. He is currently a Visiting Fellow in the Department of Romance Languages and Literature at Harvard.
Elena del Rio is Assistant Professor of Film Studies at the University of Alberta, Canada. She is interested in the application of philosphies of the body (Mereleau-Ponty, Deleuze) to the areas of technology, affect and performance in cinema. She has published in Camera Obscura, Discourse, Film-Philosophy, New Review of Film and Television Studies, Quarterly Review of Film and Video, Science Fiction Studies, and Studies in French Cinema.
Margaret C. Flinn is Assistant Professor of French and of Cinema Studies at the University of Illinois at Urbana-Champaign. She is currently working on a book about architecture and cinema in interwar France, as well as shorter projects on the gendering of cinephilia and on contemporary DV documentary’s intersections with new media art.
Aimée Israel-Pelletier teaches French Literature at the University of Texas at Arlington. She has published on Flaubert, Rimbaud, Ségur, Francophone literature, and Impressionism. Her latest work, “Flaubert and the Visual,” appears in The Cambridge Companion to Flaubert, edited by Tim Unwin.
Louis-Georges Schwartz is an Assistant Professor in the University of Iowa’s Department of Cinema and Comparative Literature, where he teaches classes in film theory, contemporary US cinema, and paracinemas such as ethnographic and experimental film. [End Page 154]
Phil Watts is Associate Professor and Chair of the Department of French and Italian at the University of Pittburgh. He is interested in the relations between cultural productions such as literature and film and the different historical and political forces in 20th-century France. [End Page 155]
