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  • Contributors

Ronda Arab

Ronda Arab is Assistant Professor of English at SUNY Plattsburgh. She is writing a book tentatively titled Working Masculinities in Early Modern English Drama, which examines working men as they appear on the English Renaissance stage.

M. G. Aune

M. G. Aune is an assistant professor in the English Department at North Dakota State University and teaches courses in Shakespeare, early modern British Literature, and travel writing.

Christine Coch

Christine Coch is Assistant Professor of English at the College of the Holy Cross. She is currently working on a book about the image of the woman in the garden in early modern English poetry.

Michelle Ephraim

Michelle Ephraim is Assistant Professor of English at Worcester Polytechnic Institute in Worcester, MA. She has recently published articles on early modern dramatic adaptations of biblical narratives and is currently working on a book, Deborah's Kin: Playing the Jewish Woman on the Elizabethan Stage, 1558-1603.

Bryan Reynolds

Bryan Reynolds is Professor and Head of Doctoral Studies in Drama and Theatre at the University of California, Irvine. He is the author of Performing Transversally: Reimagining Shakespeare and the Critical Future (Palgrave Macmillan, 2003) and Becoming Criminal: Transversal Performance and Cultural [End Page 146] Dissidence in Early Modern England (Johns Hopkins UP, 2002), co-editor, with William West, of Rematerializing Shakespeare: Authority and Representation on the Early Modern English Stage (Palgrave Macmillan, 2005), and coeditor, with Donald Hedrick, of Shakespeare Without Class: Misappropriations of Cultural Capital (Palgrave Macmillan, 2000). He is also co-General Editor, with Elaine Aston, of a new book series in theatre and performance studies, Performance Interventions, from Palgrave Macmillan.

Janna Segal

Janna Segal is an Associate Instructor and doctoral student in the UCI/ UCSD joint Ph.D. program in Drama and Theatre. With Bryan Reynolds, she has published articles on Othello and Dario Fo's Elisabetta in Reynolds, Performing Transversally (2003), and, also with Reynolds, she has two essays forthcoming in Reynolds' new book, Transversal Enterprises in the Drama of Shakespeare and h is Contemporaries: Fugitive Explorations (2006). She has also published in Early Modern Literary Studies.

William Stockton

William Stockton is a graduate student in the English Department at Indiana University, Bloomington. He is currently working on the relationship between sexuality, politics, and puns in sixteenth- and seventeenth-century comedic contexts.

Adam Zucker

Adam Zucker is an Assistant Professor of English at the University of Massachusetts, Amherst. He is the co-editor of Localizing Caroline Drama: Politics and Institutions of the Early Modern Stage, 1625-1642 (forthcoming from Palgrave Macmillan) and is currently at work on a book about cultural competence and historical spaces in early modern English comedy. [End Page 147]

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