Abstract

This review focuses on the sixth Women Playwrights International (WPI) conference and festival, held in Manila, Philippines, in November 2003. Through a discussion of how the WPI festival both interrogates and stages a mainstream international festival, the review explores alternative global theater and its relationship to questions of gender and geopolitics. The article focuses on examples from the work of artists of Asian ethnicity or descent that were featured in the conference.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 324-333
Launched on MUSE
2005-10-31
Open Access
No
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