Leonardo Reviews On-line
- Leonardo Reviews On-Line
The reviews published in print are but a small selection of the reviews available on the Leonardo Reviews web site. Below is a full list of reviews published in LR May-June 2005 <leonardoreviews.mit.edu>.
June 2005
Arte Telemática. Dos intercâmbios pontuais aos ambientes virtuais multiusuário. Reviewed by Stefaan Van Ryssen.
Barricade 3, by ZNR. Reviewed by René van Peer.
Bauhaus: Less Is More, by Eliseo Alvarez; and Dessau's Bauhaus, by Frederic Compain. Reviewed by Roy R. Behrens.
Charlotte: Life or Theater?, by Richard Dindo. Reviewed by Artur Golczewski.
Conversation Pieces: Community and Communication in Modern Art, by Grant Kester. Reviewed by Andrea Dahlberg.
Dream Bridges—Traumbrücken, by Wolfdietrich Ziesel. Reviewed by Rob Harle.
Film and Cinema Spectatorship: Melodrama and Mimesis, by Jan Campbell. Reviewed by Jan Baetens.
The Future Is Not What It Used to Be, by Mika Taanila. Reviewed by Stefaan Van Ryssen.
Hokusai, by Gian Carlo Calza. Reviewed by Roy R. Behrens.
Keeping It Real, by Sunny Bergman. Reviewed by Artur Golczewski.
Music Query: Methods, Models, and User Studies, edited by Walter B. Hewlett and Eleanor Selfridge-Field. Reviewed by João Pedro Martins, Marcelo Gimenes and Qijun Zhang.
Pop Trickster Fool: Warhol Performs Naiveté, by Kelly M. Cresap. Reviewed by Michael R. (Mike) Mosher.
Pork Chop Blue around the Rind, by Fast 'n' Bulbous. Reviewed by René van Peer.
Psychosomatic: Feminism and the Neurological Body, by Elizabeth A. Wilson. Reviewed by Rob Harle. [End Page 444]
The Subject of Documentary, by Michael Renov. Reviewed by Michael R. (Mike) Mosher.
What the Body Cost: Desire, History, and Performance, by Jane Blocker. Reviewed by Stefaan Van Ryssen.
William Roberts: An English Cubist, by Andrew Gibbon Williams. Reviewed by Roy R. Behrens.
May 2005
2nd Filmmuseum Biennale: Digital Technologies Meet Early Cinema. Reviewed by Martha Blassnigg.
After Adorno: Rethinking Music Sociology, by Tia DeNora. Reviewed by David Beer.
Charlotte: Life or Theater?, by Richard Dindo. Reviewed by Andrea Dahlberg.
Collapse: How Societies Choose to Fail or Succeed, by Jared Diamond. Reviewed by George Gessert.
Hoover: The Fishing President, by Hal Elliott Wert. Reviewed by Wilfred Niels Arnold.
Keeping It Real, by Sunny Bergman. Reviewed by Stefaan Van Ryssen.
Liminal Lives: Imagining the Human at the Frontiers of Bioscience, by Susan Merrill Squier. Reviewed by Eugene Thacker.
Looking into Pictures: An Interdisciplinary Approach to Pictorial Space, edited by Heiko Hecht, Robert Schwartz and Margaret Atherton. Reviewed by Fred Andersson.
La planète hyper. De la pensée linéaire à la pensée en arabesque, by Hervé Fischer. Reviewed by Stefaan Van Ryssen.
The Rise of Fashion: A Reader, edited by Daniel Leonhard Purdy. Reviewed by Michael R. (Mike) Mosher.
Robert Smithson, edited by Eugenie Tsai; and Robert Smithson: Learning from New Jersey and Elsewhere, by Ann Reynolds. Reviewed by Amy Ione.
Stuff It: The Video Essay in the Digital Age, edited by Ursula Biemann. Reviewed by Dene Grigar.
Technoetic Arts: A Journal of Speculative Research, Vol. 1, Nos. 1-3, edited by Roy Ascott. Reviewed by Jan Baetens.
Three Philosophical Filmmakers: Hitchcock, Wells, Renoir, by Irving Singer. Reviewed by Andrea Dahlberg.
The Transparent Body: A Cultural Analysis of Medical Imaging, by Jose Van Dijck. Reviewed by Jan Baetens. [End Page 445]
