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Music and Letters 86.3 (2005) 530-531



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Authors of Articles in this Issue

Donna G. Cardamone is professor of music at the University of Minnesota. She is the author of several articles and a book on the canzone villanesca alla napolitana. Her editions of Neapolitan dialect songs by Orlando di Lasso, Adrian Willaert, and Giovanthomaso Cimello have been published by A-R Editions.
Don Fader received his Ph.D. in musicology in 2000 from Stanford University, and is currently a visiting faculty member at the University of North Carolina at Chapel Hill. He is the author of a recent article on rhetoric, taste, and the reception of Italian music in seventeenth-century France in the Journal of Musicology, and is working on a book on the musical and intellectual roots of the goûts-réunis at the court of Philippe II d'Orléans.
Pauline Fairclough is Lecturer in Music at the University of Bristol. Her book, A Soviet Credo: Shostakovich's Fourth Symphony, will be published by Ashgate next year, and she is co-editor of the forthcoming Cambridge Companion to Shostakovich.
Roger Harmon's research has focused mainly on ancient music theory and aesthetics and their reception in the early modern period. He has contributed to Der Neue Pauly, Die Musik in Geschichte und Gegenwart, 2nd edn., Die Geschichte der Musiktheorie (vol. 2, 2005), Oud Holland, The International Journal of the Classical Tradition, and The Lute.
Mark Kroll, a leading harpsichordist and fortepianist, is Professor emeritus at Boston University, where he served for twenty-five years as Professor and Chair of the Department of Historical Performance. He has recently published Playing the Harpsichord Expressively and The Beethoven Violin Sonatas, and is currently completing a biography of Johann Nepomuk Hummel. [End Page 530]
Alexandra Wilson is the Randall-MacIver Junior Research Fellow in Music at St Hilda's College, Oxford. Her research interests include nineteenth- and twentieth-century music (especially opera), the cultural history of Italy, reception issues, and historiography. She is currently completing a book for Cambridge University Press entitled The Puccini Problem: Opera, Nationalism and Modernity, to be published in 2006.

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