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Reviewed by:
  • Dylan's Visions of Sin
  • Belle Randall (bio)
Christopher Ricks , Dylan's Visions of Sin (New York: Ecco, 2004), 528 pp.

A professor of classics, Edmunds returns, in this revised edition, to a stately and beloved subject, the Martini straight up, and has renamed (or rather, resubtitled) it, "The Classic American Cocktail." The counterpoint, in his table of contents, between "The Simple Messages of the Martini" (seven of them) and "The Simple Ambiguities of the Martini" (four of them) promises a classic of the driest humor. That promise is met in this potent, concise, and enlightening text. I read it, enjoyably, in a state of austere sobriety, then on completion toasted it with a vulgar version of its subject: Swedish vodka and a Martini olive, splashed with a few drops of French vermouth, on the rocks. Edmunds would not approve. But if a cocktail is to be American as well as classic, then even two olives and Italian vermouth must be tolerated without disdain.

Belle Randall

Belle Randall's books of poetry include True Love, Drop Dead Beautiful, The Orpheus Sedan, and 101 Different Ways of Playing Solitaire. She has taught in several creative writing programs, including Stanford University's.

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