Abstract

This article critiques the editing, marketing, and reception of Pascal Khoo Thwe's recent autobiography, From the Land of Green Ghosts: A Burmese Odyssey. It argues that this autobiography has been seen primarily in terms of cultural shifts, amplifying the distance between the narrated and narrating self, and muting the political message of the work.

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Additional Information

ISSN
1529-1456
Print ISSN
0162-4962
Pages
pp. 77-88
Launched on MUSE
2005-06-15
Open Access
No
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