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  • Contributors

Dário Borim is a professor, translator, creative writer, and FM radio programmer. He teaches in the Luso-Brazilian Studies Program at the University of Massachusetts Dartmouth. Paisagens humanas (Ed. Papiro), a collection of his crônicas and short stories, was published in December 2002. In April 2004, EdUFF published his book Perplexidades: Raça, sexo e outras questões socio-políticas no discurso cultural brasileiro. Borim's writings have also appeared in eleven journals from Brazil, France, Peru and the U.S., as well as in thematic anthologies such as Bodies and Biases (U of Minnesota Press), Latin American Writers on Gay and Lesbian Themes (Greenwood Press), and Poéticas da diversidade (Ed. UFMG). He hosts a weekly radio show dedicated to Lusophone music on www.wsmu.org. He can be reached at dborim@umassd.edu.

Michael Colvin is Assistant Professor in the Department of Modern Languages and Literatures at Simmons College in Boston. He has taught Portuguese and Spanish Language and Latin American Literature as a Visiting Assistant Professor at Temple University and Middlebury College. Michael's research focuses on questions of marginalization and the ever-fluctuating notion of the other in 20th-century Chilean and Brazilian narrative. His most recent research concerns the problematic relationship between Portuguese popular culture and the aesthetics of Portuguese Fascism. He is the author of the book Las últimas obras de José Donoso: Juegos, roles y rituales en la subversion del poder (Pliegos: Madrid, 2001). Michael has recently published an article in Portuguese Studies (v. 20, 2004, King's College, London): "Gabriel de Oliveira's 'Há Festa na Mouraria' and the Fado Novo's Criticism of the Estado Novo's Demolition of the Baixa Mouraria."

Regina Horta Duarte is Associate Professor of History at the Federal University of Minas Gerais (UFMG), Brazil. She has published several books, including A Imagem Rebelde (1991), Noites Circenses (1995), and OCirco em Cartaz (2002), as well as articles in several Brazilian and international journals (Revista Brasileira de História, Varia Historia, Iberoamericana, Environmental History, Manguinhos, Estudos Iberoamericanos). Currently she is researching the relationship between biology and politics in Brazil in the 1930s. [End Page 199]

Tace Hedrick is Associate Professor and holds a joint appointment in English and Women's Studies at the University of Florida. Her first book, Mestizo Modernisms: Race, Nation, and Identity in Latin American Culture, 1900-1940 (Rutgers U Press, 2003) examines the discourses of mestizaje, modernity, and nationalism in the work of early 20th-century Latin American modernist artists César Vallejo, Frida Kahlo and Diego Rivera, and Gabriela Mistral. Professor Hedrick has also published articles on bilingual Chicana/o poetry, U.S. Latinas and popular culture, César Vallejo's poetry, and Brazilian literature in journals such as The Translator, Latin American Literary Review, and The Luso-Brazilian Review, as well as in collections such as Footnotes: On Shoes and The Returning Gaze: Primitivism and Identity in Latin America. Currently Dr. Hedrick is in the planning stages of her next book, tentatively titled Playing the Myth: Latinos and Chicanos and the Invention of History, 1963-1987. This work examines the alternative and counterculture efforts of Chicana/o and U.S. Latino/a civil rights movements to (re)historicize the experiences of marginalized peoples within the United States.

Stephanie L. Kirk is Assistant Professor in the Department of Romance Languages and Literatures at Washington University in St. Louis, and holds a Ph.D. in Spanish and Portuguese from New York University. Her book manuscript entitled A Tale of Two Communities: Varying Views of Convent Life in Colonial Mexico is currently under review. Her research interests include Colonial Latin American literatures, Latin American poetry, and gender studies.

Luís Madureira is Associate Professor of Spanish and Portuguese at the University of Wisconsin-Madison. He has two forthcoming books, A Nostalgia of Stone for the Indefinite Sea (Edwin Mellen Press), which studies figurations of empire, nation and revolution in Portuguese and Lusophone African literatures, and Cannibal Modernities (U of Virginia Press), a reexamination of the Brazilian and Caribbean avant-gardes from a postcolonial perspective (from which "A Cannibal Recipe" is excerpted). He has published several articles on topics ranging from Portuguese...

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