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Reviewed by:
  • Brothers One and All: Esprit de Corps in a Civil War Regiment, and: Faces of the Civil War: An Album of Union Soldiers and Their Stories
  • Lisa M. Brady
Brothers One and All: Esprit de Corps in a Civil War Regiment. By Mark H. Dunkelman. Baton Rouge: Louisiana State University Press, 2004. ISBN 0-8071-2978-X. Illustrations. Notes. Bibliography. Index. Pp. xii, 344. $39.95.
Faces of the Civil War: An Album of Union Soldiers and Their Stories. By Ronald S. Coddington. Baltimore, Md.: Johns Hopkins University Press, 2004. ISBN 0-8018-7876-4. Illustrations. Notes. References. Index. Pp. xxiv, 251. $29.95.

Individual experience is the foundation of all history; without examining the motivations and repercussions of individuals' actions, history becomes a faceless, uninteresting chronology. Both Mark Dunkelman in Brothers One and All and Ronald Coddington in Faces of the Civil War clearly understand this principle and provide important and compelling stories of a few of the individuals who fought for the Union during the American Civil War.

Dunkelman examined the 154th New York Volunteer Infantry in Brothers One and All and suggested that the unit was representative of Union regiments not only in terms of its traditional regimental history, but, more importantly, in its development of unit loyalty. Dunkelman divided his book into three parts: In "Home Ties" Dunkelman traced the regiment's origins in two western New York counties and the close connections the men had in terms of family and community relations; "War Ties" followed the men through recruitment, camp life, combat, and mustering out; "Veteran Ties" examined the regiment's postwar history. Dunkelman argued throughout that the common backgrounds and shared experiences provided the foundation for an abiding bond among the members of the 154th that went beyond simple allegiance to their comrades to a true devotion to the regiment itself—what Dunkelman called esprit de corps. Dunkelman concluded that little could diminish the reverence the men developed for the unit—not physical hardship, desertion, personal animosity, nor even the end of the war—only the passing of its last veteran in 1934 brought the end of the 154th's esprit de corps.

The existence of unit loyalty is not a new discovery, though as Dunkelman pointed out, it is a relatively neglected aspect of Civil War history. Many historians have noted the importance of esprit de corps, but few have delved [End Page 565] as deeply into its origins and meanings as Dunkelman. His exhaustive research included the regiment's official records as well as over one thousand letters and two dozen diaries kept by the soldiers of the 154th; extensive quotes from these sources provided compelling evidence of the regiment's sense of esprit de corps. On occasion Dunkelman's use of primary material seemed tenuous support for his esprit de corps thesis, and appeared to be included more out of a desire to fully utilize his sources, but this does not unduly detract from the overall significance of the book. Brothers One and All is an important and useful book for understanding not only why individual soldiers identified so strongly with their regiments, but also why that identification remained so powerful after the fighting ended.

Where Dunkelman focused on the individual's role in the creation of unit loyalty, the unit is of secondary (if not lesser) importance in Coddington's Faces of the Civil War; indeed, Coddington's book is devoted entirely to relating the unique stories of individual soldiers. There is no underlying argument in Coddington's book, but this does not detract from its significance; in fact, it is its strength. Faces of the Civil War came out of Coddington's early interest in cartes de visite, the nineteenth-century version of today's business cards. On enlistment in the Union Army, many new recruits had their photographs taken to give to their families, friends, and comrades, both as keepsakes and as proof of their transformation from civilian to soldier (see Michael Fellman's able foreword to the book for the history of cartes de visite). Seventy-seven of these photographs are included in Coddington's book, each with a brief history of the soldier, his...

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