Abstract

Applying the literature of passing to cyborg cinema makes visible the politics of cyborg representations and illuminates contemporary conceptions of mixed-race subjectivity and interpolations of mixed-race bodies. The passing narrative also reveals the constitutive role of melancholy and nostalgia both in creating cyborg cinema and in undermining its subversive potential

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 34-49
Launched on MUSE
2005-03-03
Open Access
No
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