Abstract

This essay analyzes how Newman's Apologia seeks to articulate nineteenth-century conceptions of time through a canonical conception of prophetism, and how the question of private space is made into a national issue through Newman's narrative. The paper finally argues that Newman's technique of "replacement" deconstructs itself as a metaphorical process, which makes for the unique literariness of the Apologia.

pdf

Additional Information

ISSN
1529-1456
Print ISSN
0162-4962
Pages
pp. 721-736
Launched on MUSE
2005-02-21
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.