In lieu of an abstract, here is a brief excerpt of the content:

Reviewed by:
  • Queer Fictions of the Past: History, Culture, and Difference
  • Chad Heap
Queer Fictions of the Past: History, Culture, and Difference. By Scott Bravmann (New York: Cambridge University Press, 1997. xv plus 174pp. $54.95/hardcover $16.95/paperback).

In Queer Fictions of the Past, Scott Bravmann seeks not to document the history of lesbians and gay men, but to analyze the “multiple, complex, and inconsistent ways that historical arguments motivate gay and lesbian identities, communities, and politics.” (p. ix) Building on the insights of lesbian and gay studies, queer theory, and a variety of other “postmodern” approaches to scholarship, he launches a “queer cultural studies of history” in an effort to challenge scholars’ beliefs in the objectivity and stability of historical narratives of lesbian and gay experiences, as well as to explore the complicated interplay between such narratives and competing conceptions of the lesbian and gay present. (p. x)

Focusing this queer cultural studies of history on lesbian and gay historical monographs, Bravmann suggests that scholars “begin thinking about ‘the making of the modern homosexual’ not as a ‘fact’ but as an argument.” (p. 9) By this he means that lesbian and gay historians should be aware that their accounts of the past do not simply describe historical events and processes, but actually contribute to the naturalization and homogenization of the present-day category of “the homosexual” by contrasting it with preceding, differently-constructed conceptions of identity and sexuality. Against this tendency, Bravmann advances two major correctives. First, he argues that historians must pay closer attention to “queer heterosociality,” that is to the multiple (racial, gender, class, generational, geographic, etc.) differences among gay and lesbian subjects in both the past and the present. (p. xii) Second, he proposes that traditional historiography be complemented by new writing practices—including theory, autobiography, fiction, and film—which offer more creative tools for “investigating queer fictions of the past as interventions into the material present.” (p. 97)

Bravmann’s close readings of lesbian and gay historiography are, for the most part, insightful and productive. He is correct that many recent monographs have been structured around the premise that present-day lesbian and gay identities are both unified and stable, and is right to point out that this premise has resulted in the inadequate examination of the roles which race and gender (a term he uses to refer only to women’s social and cultural differentiation from men) have played in the construction of lesbian and gay pasts and presents. Yet one must ask whether Bravmann does not, at times, hold the few published and pioneering monographs of lesbian and gay history to unreasonably high standards, underestimating their authors’ extensive research, analysis, and significant challenge to traditional historiography. Even Bravmann’s own book cannot completely satisfy his exacting demand that the multiple differences among gay and lesbian subjects be thoroughly investigated. For instance, his study fails to fully explore the ways in which lesbian and gay histories are marked by class differences, as well as by gendered distinctions among lesbians and gay men (along butch/femme or fairy/”normal”-man axes, for example), both of which are rigorously analyzed in several of the monographs he criticizes. [End Page 194]

Bravmann is at his best, however, when he steps away from his critique to construct his own inevitably partial, but ultimately compelling, histories of the political uses and revisions of the lesbian and gay past. In a chapter devoted to an analysis of competing accounts of the 1969 Stonewall uprising, he carefully explores how changing racial, gender, and political concerns have structured successive accounts of this event. Because Stonewall has come to represent a pivotal turning point in the lesbian and gay rights movement, Bravmann argues, its history has gradually been rewritten to be more inclusive of racial and gender differences. According to Bravmann, people of color and drag queens were not mentioned in the earliest accounts but, during the 1980s, were “written into accounts of the riots, perhaps rightly recentering them in narratives of an event which they started and sustained.” (p. 79) Similarly, lesbians apparently chose not to emphasize their involvement in the Stonewall uprising until 1979, when their gender-driven alliance...

Additional Information

ISSN
1527-1897
Print ISSN
0022-4529
Pages
pp. 194-195
Launched on MUSE
1999-09-01
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.