Contributors
Rent from DeepDyve- Contributors
Cordelia Candelaria, professor of American literature and Chicana/o cultural studies at Arizona State University since 1991, began her tenure as Chair of the Department of Chicana and Chicano Studies in 2001. Her most recent publications are the two-volume Encyclopedia of Latino Popular Culture in the United States (Greenwood, 2004, General Editor with Co-Specialist Editors Arturo Aldama and Peter Garcia); Cursing Fujimori and Other Andean Reflections (Madison, WI: Hilltop, 2003); The Legacy of 1848 and 1898: Selected Proceedings from the 1998 Transhistoric Thresholds Conference (Bilingual Review, with Co-Editor Gary Keller, 2000), and eight other books, monographs, and numerous essays, reviews, and poetry.
Laurie J. C. Cella is a PhD candidate in English at the University of Connecticut. She is writing her dissertation on the intersection of the romance plot and the conversion narrative within American proletarian novels. Currently, she is co-director of the University of Connecticut Writing Center.
Hyaeweol Choi is an associate professor of Korean studies at Arizona State University. Her research interests include women's history and culture in East Asia, missionary discourse, Korean intellectual history, and Asian diaspora. Among her publications are An International Scientific Community: Asian Scholars in the United States (New York: Praeger 1995); "Missionary Zeal in a Transformed Melodrama: Gendered Evangelicalism in Korea," The Asian Journal of Women's Studies 7, no. 1 (2001); and "'Women's Work for Heathen Sisters': American Women Missionaries and their Educational Work in Korea," Acta Koreana 2 (July 1999). She is currently working on a book project tentatively entitled Re-Orienting Gender: Public and Private Discourse on Modern Womanhood in the Korea Mission Field, 1880s–1920s.
Holly Farris is an Appalachian who has worked as an autopsy assistant, restaurant baker, and beekeeper. Her short fiction has appeared or is forthcoming [End Page 178] in Appalachian Heritage, Phoebe, and Home Planet News, and her erotica has been included in several anthologies. Now retired from a career as a research biologist, she is a housing counselor specializing in financial literacy.
Theresa L. Geller is a PhD candidate at Rutgers University. She holds a master's degree in English from the University of Illinois, Urbana. She has a chapter entitled "The Film-work Does Not Think" forthcoming in Gender After Lyotard, edited by Margret Grebowicz. She has contributed to the online journals, Film-Philosophy and Senses of Cinema, and she has published on the television show Twin Peaks in the USC Journal of Film and Television, Spectator. She is currently finishing her dissertation and living in Philadelphia.
Heather Sealy Lineberry is senior curator at the Arizona State University Art Museum and has more than fifteen years of experience in curating contemporary art. She holds a master's degree in art history from the University of Texas at Austin. Lineberry has curated a broad range of exhibitions, among them Art on the Edge of Fashion, Jim Campbell-Transforming Time-Electronic Works, and Sites Around the City: Art and Environment (a citywide series of exhibitions and programs). Recent exhibition projects include Blue Memory and The Long Day: Sculpture by Claudette Schreuders, which is traveling nationally.
Anesa Miller's poetry, fiction, and essays have appeared in The Cream City Review, Kenyon Review, Earth's Daughters, and elsewhere. She holds a PhD in Russian language and literature and has also published scholarly articles and translations. A native of Wichita, Kansas, Miller now makes her home in Bowling Green, Ohio. She has received a creative writing fellowship from the Ohio Arts Council.
B. Petronio's stories have appeared in Oxford Magazine, RE:AL, Tucson Weekly, Hayden's Ferry Review, and other publications. "The Substitute Plumber" was begun while the author was a resident artist at Ucross Foundation, and "finished" at Fundación Valparaiso in Mojacar, Spain.
Chris Robé is a visiting assistant professor in film at Florida Atlantic University. He has published essays in The Velvet Light Trap, Enculturation, and the anthology Nothing That Is: Millennial Cinema and the "Blair Witch" Controversies, and he writes film reviews for PopMatters. He is currently finishing his book on film theory and criticism of the 1930s American Left.
Claudette Schreuders was born in 1973 in Pretoria and grew up in Johannesburg, South Africa. She...
