Contributors
- Contributors
Catherine Addison is a fifth-generation South African, at present an Associate Professor of English at the University of Zululand. Having graduated with a Ph.D. on Byron from the University of British Columbia in 1987, she has taught English—and, recently, linguistics as well—at several Canadian and South African universities. She has published articles on Byron, Shelley, Southey, Mitford and Crane as well as on colonialism, simile and versification. Her recent writing has focused on the relationships between stanza form and narrative in poets from Dante to Auden. She also has a special interest in the verse novel, a hybrid form that has made a dramatic reappearance in the 21st Century.
Sara Crangle is a doctoral candidate at Gonville and Caius College, University of Cambridge. She has published work in the Times Literary Supplement, The Explicator, and Canadian Literature. She has an essay on Dorothy Osborne's letters forthcoming in Women's Writing.
Alice Ferrebe is a lecturer in English and Creative Technologies at Liverpool John Moores University, UK. Her book Masculinity in Male-Authored Fiction 1950-2004: Keeping It Up will be published next year.
Barbara Foley's most recent book is Spectres of 1919: Class and Nation in the Making of the New Negro (U of Illinois P, 2003). She is currently working on a book about Ralph Ellison and the Cold War, provisionally titled Sins of Omission: The Unmaking and Making of Invisible Man. She is professor of English at Rutgers University, Newark campus.
Zenonas Norkus is professor at Vilnius University (Lithuania). Book publications: Istorika (1996; Theory of Historiography; in Lithuanian); Max [End Page 269] Weber und Rational Choice (Marburg: Metropolis-Verlag, 2001; in German). His research and teaching areas of interest include social theory, history and metatheory of historical studies and social research.
Brian R. Roberts is a Ph.D. student in English at The University of Virginia. He completed a masters at Brigham Young University, where he wrote his thesis on sympathy, race, and utopia in the nineteenth and twentieth centuries. He has essays published in Journal of Narrative Theory, The Southern Quarterly, and Critique. [End Page 270]
