-
seven fours, three trios
- Callaloo
- Johns Hopkins University Press
- Volume 27, Number 4, Fall 2004
- pp. 973-974
- 10.1353/cal.2004.0168
- Article
- Additional Information
- Purchase/rental options available:
Callaloo 27.4 (2004) 973-974
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seven fours, three trios
Fred Moten
elvin jones, malachi favors, steve lacy
on the one hand, the right hand the messenger of god booms,
stretched polyphone, the el on division
don't know what the left hand but she walks slowly in her
continuing the city for an ell
shawl, half-flute with (thin line,
full shell), of the
experimental band of sidemen
yellow shimmers, thin line, evidence with don
cherry
is doing; on the other hand,
what one hand giveth the other hand taketh away (by adding
but alex,
the place, the force, of source. the trace.
an always incomplete divorce
absolute impossible face
of the underneath broken course
for tropical laura
we gone that embrace of the chance that became
a method of the cut always getting cut of
the songspeak of the folded animal
and the penetrated, waiting for exile by Hendrix, [End Page 973]
ed roberson
devotion in the form of deviant
scholarship the form for disturbing
flowers shhhhh lean to the secret whole
in buildings lena's airshaft tea party.
sherrie tucker, francis ponge, sun ra
where the little girl from magic city, the pre—
holiday gardenia, the cultural student of perfect
image, perfect meadow? Please wait. pantomime daughters shriek inside out
overdub, scar, swing before trumpet, flute, half-flute, harfleur with don cherry
...