Abstract

Few philosophical topics are as intertwined with gender questions as the topic of love, which moved center-stage in the diverse literary and philosophical productions of the Renaissance. Situated in the rich cultural environment of Cinquecento, Italy, Tullia d'Aragona's Dialogo della Infinità d'Amore offers not only a unique contribution to Renaissance theories of love, but also forces a reexamination of the aims and methods of communication, and provokes a reflection on philosophy's very own (male) self-conception.

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Additional Information

ISSN
1527-2001
Print ISSN
0887-5367
Pages
pp. 75-96
Launched on MUSE
2004-11-15
Open Access
No
Archive Status
Archived 2009
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