In lieu of an abstract, here is a brief excerpt of the content:

Arethusa 37.3 (2004) 449-466



[Access article in PDF]

Bibliography

Adam, J.-M. 1990. Éléments de linguistique textuelle. Brussels.

Adam, J.-M., G. Lugrin, and F. Revaz. 1998. "Pour en finir avec le couple récit/discours," Pratiques 100.81-98.

Adrados, F. R. 1975. Lingüística indoeuropea, vol 2. Madrid.

Albert, W. 1988. Das mimetische Gedicht in der Antike. Frankfurt.

Aloni, A. 1995. "Locuzione e esecuzione nella decima Olimpica di Pindaro," in Studia classica Iohanni Tarditi oblata, L. Belloni, G. Milanese, and A. Porro, eds. Milan. 387-412.

Anzai, M. 1994. "First-Person Forms in Pindar: A Re-Examination," BICS 39.141-50.

Athanassaki, L. 1990. Mantic Vision and Diction in Pindar's Victory Odes. Ph.D. Thesis. Brown University.

——. 2003. "A Divine Audience for the Celebration of Asopichus' Victory in Pindar's Fourteenth Olympian Ode," in Gestures: Essays in Ancient History, Literature, and Philosophy presented to Alan L. Boegehold, Geoffrey W. Bakewell and James P. Sickinger, eds. Oxford.

Athanassakis, A. 2000. "The Peleades of Alcman's Partheneion and Modern Greek Poulia," AncW 31.5-14.

Austin, J. L. 1962. How to Do Things with Words. Oxford.

Bakhtin, M. M. 1981. The Dialogic Imagination. Austin.

Bakker, E. 1993. "Discourse and Performance: Involvement, Visualization and 'Presence' in Homeric Poetry," CA 12.1-29.

——. 1997a. "Storytelling in the Future: Truth, Time, and Tense in Homeric Epic," in Bakker and Kahane 1997.11-36.

——. 1997b. Poetry in Speech: Orality and Homeric Discourse. Ithaca.

——. 1997c. "Verbal Aspect and Mimetic Description in Thucydides," in Grammar as Interpretation: Greek Literature in its Linguistic Contexts, E. Bakker, ed. Leiden. 7-54.

——. 1998. "Fiktionalität und Medienwechsel im Altgriechischen: von Homer zu Thukydides," in Verschriftung und Verschriftlichung: [End Page 449] Aspekte des Medienwechsels in verschiedenen Kulturen und Epochen, Ch. Ehler and U. Schaefer, eds. Tübingen. 57-77.

——. 1999a. "Homeric hoûtos and the Poetics of Deixis," CP 94.1-19.

——. 1999b. "Pointing to the Past: Verbal Augment and Temporal Deixis in Homer" in Euphrosyne: Studies in Ancient Epic and its Legacy in Honor of Dimitris N. Maronitis, J. N. Kazakis and A. Rengakos, eds. Stuttgart. 50-65.

Bakker, E., and Kahane, A. 1997. Written Voices, Spoken Signs: Tradition, Performance, and the Epic Text. Cambridge, Mass.

Bal, M. 1985. Narratology: Introduction to the Theory of Narrative (trans. C. van Boheemen). Toronto.

Bara, B. G. 1999. Pragmatica cognitiva: I processi mentali della comunicazione. Turin.

Barker, A. 1984. Greek Musical Writings I: The Musician and his Art. Cambridge.

Barrett, W. S. 1964. Euripides: Hippolytos. Oxford.

Bauman, R. 1977. Verbal Art as Performance. Prospect Heights, Ill.

——. 1986. Story, Performance, and Event: Contextual Studies of Oral Narrative. Cambridge.

Bauman, R., and C. Briggs. 1990. "Poetics and Performance as Critical Perspectives on Language and Social Life," Annual Review of Anthropology 19.59-88.

Belfiore, E. S. 1992. Tragic Pleasures: Aristotle on Plot and Emotion. Princeton.

Benveniste, E. 1966. Problèmes de linguistique générale, vol. 1. Paris.

——. 1971 [1958]. Problems in General Linguistics (trans. M. E. Meek). Coral Gables, Fl.

——. 1973 [1969]. Indo-European Language and Society (trans. Elizabeth Palmer). London.

——. 1974. Problèmes de linguistique générale, vol. 2. Paris.

Berger, Harry, Jr. 1989. Imaginary Audition: Shakespeare on Stage and Page. Berkeley.

Bernardini, P. A. 1983. Mito e attualità nelle odi di Pindaro: La Nemea 4, l'Olimpica 9, l'Olimpica 7. Rome.

Bierl, A. 2001. Der Chor in der alten Komödie: Ritual und Performativität. Munich.

Bing, P. 1988. The Well-Read Muse: Present and Past in Callimachus and the Hellenistic Poets. Göttingen.

Biraud, M. 1991. La détermination du nom grec classique. Nice. [End Page 450]

Blaise, F., P. Judet de La Combe, and Ph. Rousseau (eds.) 1996. Les métiers du mythe: lectures d'Hésiode. Lille.

Bonanno, M. G. 1995. "L'io lirico greco e la sua identità (anche biografica?)," in Biografia e autobiografia degli antichi e dei moderni, I. Gallo and L. Nicastri, eds. Salerno. 23-39.

Bond, G. A. (ed.) 1982. The Poetry of William VII, Count of Poitiers, IX Duke of Aquitaine. New York.

Bonifazi, A. 2000. "Sull'idea di sotterfugio orale negli epinici pindarici," QUCC n.s. 66.69-86.

——. 2001. Mescolare un...

pdf

Additional Information

ISSN
1080-6504
Print ISSN
0004-0975
Pages
pp. 449-466
Launched on MUSE
2004-10-26
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.