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  • Color Plates

Color Plate A


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No. 1. Adam Belt, Deena Capparelli, Bernard Perroud, Mark Tsang, Claude Willey, Garden #2 of MOISTURE (Phase 2): Site #1. The site is complete with terracing and recent plantings, January 2004. (See the Leonardo Gallery.)

Photo © C. Willey


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No. 2. SE Barnet and Kahty Chenoweth, "Site 2," Sites for Flood and Drought, 2003-present. Six to ten 10-in-diameter spheres are "planted" along a dry wash; their movements demonstrate the extreme nature of the desert cycles of flood and drought. (See the Leonardo Gallery.)

© SE Barnet and K. Chenoweth. Photo © SE Barnet.

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Color Plate B


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No. 1. Douglas Peden, Transfiguration, acrylic on canvas, 32 x 61 in, 1995. An inter-field grid painting using a cusped wave form. The painting presents an abstract narrative of the artist's depiction of transfiguration and transcendence through human suffering.

© Douglas Peden


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No. 2. Evelina Domnitch and Dmitry Gelfand, six-channel Camera Lucida prototype: high-intensity sonoluminescence created by a humanly audible sound composition modulating a 100-140-kHz signal, irradiating xenon-infused sulfuric acid.

Photo © Evelina Domnitch and Dmitry Gelfand


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No. 3. MeTapolis (04). Picture from an installation by Miguel Chevalier, text generator by Jean-Pierre Balpe, music by Jacopo Baboni-Schilingi for the Museo de Arte Contemporaneo (MARCO), Monterrey, Mexico, February-April 2002. (See Artmedia VIII article by Jean-Pierre Balpe.)

© Jean-Pierre Balpe. Photo © Miguel Chevalier.

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