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  • Empty House
  • Joanne Hayhurst (bio)

The nubs of the wall-to-wall are pressing themselves to her face: printing one eyelid, one ear, one cheek. I watch her. I watch her over and over in my mind's eye. Her eye can see out the window, where she knows there are field, a dark stand of pine and a pond. Heat: his hands at her skull, neck, shoulder and backbone -    wadded up muscle, tendon, tight tissue. His palms, his thumbs knead and release. Between one breath and the next, this moment and that, I feel the coming of rain; the air has hung thick for days now, shading summer, until all wishing for things to be different wears everyone down. Her mind, unlike mine, has grown dull: his voice? no, it's the sound inside her - like rocks being ground to pebbles then grains. These walls have been washed and painted: his newest place, emptied, like those before this, of any reminder: no mirrors, no vases. I've seen them through - how many years now? - decades: five houses, two wives, one husband, six children between them, [End Page 120] how many lies and lovers? How long can their laden, leaden affair drag forward? His mouth at her ear: Do you want me to go deeper? but doesn't wait for her answer. That woman, he says, what she did to me - She looks toward the window. The sky seems to say, I cannot hold you up another minute. And just lets go. Together we gaze at the great grey weight easing itself to the ground: a slow motion sinking. Out there, near the pond's weedy rim, the grey gathers - sunken, settled. That's when I say I must leave you. See! It's broken through: no he, no she - this is about you and me. From the far shore or somewhere one dog's barking. Then another. Again. Hard to tell which one is dog, which echo.

Joanne Hayhurst

Joanne Hayhurst has an MFA from Warren Wilson College. Her work has appeared in a number of magazines, including Prairie Schooner.

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