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  • Consciousness, Backward Coreference, and Logophoricity
  • Seth A. Minkoff

Contrasts like those between the (a) and (b) sentences of (1)-(7) suggest that Self-anaphors are subject to a coreference requirement that operates in addition to binding theory.1 [End Page 485]

(1)

  1. a. {That book about herselfi}A {hit Sarai}B.

  2. b. *{That book about itselfi}A {hit the Hope diamondi}B.

(2)

  1. a. {That picture of herselfi}A {pushed Sarai off of the log}B.

  2. b. *{That picture of itselfi}A {pushed the Hope diamondi off of the display case}B.

(3)

  1. a. {That story about herselfi}A {caused Sarai to become famous}B.

  2. b. *{That story about itselfi}A {caused War and Peacei to become famous}B.

(4)

  1. a. {Lightning striking herselfi}A {caused Sarai to get hot}B.

  2. b. *{Lightning striking itselfi}A {caused the cari to get hot}B.

(5)

  1. a. {That picture of himselfi}A {caused folks to think they should avoid Billi}B.

  2. b. *{That picture of itselfi}A {caused folks to think they should avoid the cavei}B.

(6)

  1. a. I put {that picture of herselfi}A {next to Sarai}B.

  2. b. *I put {that picture of itselfi}A {next to the Hope diamondi}B.

(7)

  1. a. They saw {that picture of herselfi}A {next to Sarai}B.

  2. b. *They saw {that picture of itselfi}A {next to the rocki}B.

It seems clear that these contrasts cannot be due to binding principles, since in no case does one coreferring element c-command the other. Moreover, on standard assumptions the (a) and (b) sentences in each of (1)-(7) are structurally identical to each other, so that any binding-theoretic treatment would yield identical judgments, not contrasting ones, for the members of each pair. This squib proposes a principle to account for the noted contrasts, comments on ways this principle differs from principles of binding, and discusses implications it may have for theories of logophoricity.

1 Consciousness and Coreference

I believe the contrasts in (1)-(7) are due to a coreference requirement on Self-anaphors, whose first, overly broad formulation I give as Principle E in (8).

(8) Principle E (nonfinal)

A Self-anaphor must corefer with an expression whose referent typically possesses consciousness.2 [End Page 486]

Principle E correctly accounts for the contrasts in (1)-(7).On the one hand, in each of the (a) examples, the referent typically possesses consciousness, so that Principle E is satisfied, and the result is acceptable. On the other hand, in each of the (b) examples, the referent lacks consciousness, so that Principle E is violated, and the result is unacceptable.

2 Consciousness, Coreference, and Binding

Of course, Principle E as formulated in (8) cannot possibly hold in all circumstances, since there exist sentences such as those in (9)-(10), in which Self-anaphors happily corefer with expressions regardless of whether their referents typically possess consciousness. In its current formulation, Principle E would wrongly predict the same contrast for the sentences in (9)-(10) as it does for those in (1)-(7), deeming (9a) and (10a) acceptable, but (9b) and (10b) not so.

(9)

  1. a. Joshuai destroyed himselfi.

  2. b. The machinei destroyed itselfi.

(10)

  1. a. Joshuai took a picture of himselfi.

  2. b. The automatic camerai took a picture of itselfi.

Therefore, I believe Principle E would be more accurately formulated as in (11).

(11) Principle E (nonfinal)

A free Self-anaphor must corefer with an expression whose referent typically possesses consciousness.

Now Principle E correctly accounts for the contrasts in (1)-(7) without wrongly extending those contrasts to (9)-(10). On the one hand, the Self-anaphors in (1)-(7) are free, so Principle E applies, making these sentences acceptable only when the referent typically possesses consciousness. On the other hand, the Self-anaphors in (9)-(10) are bound, so here Principle E does not apply, leaving these sentences acceptable regardless of whether or not the referent possesses consciousness.

3 The Backward Coreference Domain

Next, it seems clear that Principle...

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