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Memory Theatres, Virtual Witnessing, and the Trauma-Aesthetic
- Biography
- University of Hawai'i Press
- Volume 27, Number 1, Winter 2004
- pp. 163-202
- 10.1353/bio.2004.0030
- Article
- Additional Information
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To enclave the human rights violation story at a primordial scene of violence is already to preselect the restorative powers of legal, medical, media, and textual rationalities as post-violent. Where violence is and is not positioned in the narrative of witness and the witnessing of narrative is the concern of this essay. I pose this question: Does the cultural intelligibility of the biographical and witnessing artifact depend on the violence of the signifier—by which I mean repressive authentication by various expert knowledge practices, truth-claiming procedures, and mass media circuits? And if so, how do we witness this particular violence?