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  • Dialectic as "Philosophical Embarrassment":Heidegger's Critique of Plato's Method
  • Francisco Gonzalez (bio)

Philosophie ist ein Ringen um die Methode.

(GA58, 228)

Hans-Georg Gadamer has expressed the following debt to the thought of Martin Heidegger: "The philosophical stimuli I received from Heidegger led me more and more into the realm of dialectic, Plato's as well as Hegel's."1 It is therefore surprising to discover that Heidegger himself did not see his thought as leading him into the realm of dialectic. On the contrary, in Being and Time we find a curt and unexplained dismissal of dialectic, specifically Plato's, as a "genuine philosophical embarrassment" (Verlegenheit).2 This dismissal is repeated in the Fundamental Concepts of Metaphysics course of WS 1929/30 where Heidegger asserts that "all dialectic in philosophy," and thus that of Hegel as well as Plato, "is only the expression of an embarrassment."3 Only with the publication of Heidegger's earlier lecture courses from the 1920s, are we in a position to understand and evaluate this surprising dismissal. We are also in a better position to understand why even the later Heidegger failed to reassess his rejection of dialectic, despite the existence of strong incentives for doing so: incentives recognized not only by Heidegger's students but, as will be shown, by Heidegger himself. What will emerge are not only the oft-observed limitations of Heidegger as an interpreter of Plato, but also, and more importantly, their source in certain limitations of Heidegger's own thinking. [End Page 361]

1. Heidegger's Critique of Dialectic in the 1920s

Heidegger's most detailed account of Plato's dialectic, and thus the one that best explains his curt dismissal of dialectic in later works, is to be found in the Sophist lectures of 1924/25.4 This account begins with a description of the pervasiveness and potential obstructiveness of . Though ordinarily and most immediately pervades all forms of disclosing (GA19, 196), "[a]ccording to its original sense and original facticity, is not at all disclosing (aufdeckend), but is, if one may speak in an extreme way, precisely concealing (verdeckend)" (197).5 In other words, is initially and for the most part "idle talk" (Gerede), the kind of speech that is bandied about concerning anything whatsoever and that "has the facticity of not allowing the things themselves to be seen, but producing instead a self-satisfaction in resting content with what 'one says'" (197). Thus speech at first presents itself as self-sufficient and autonomous; one hangs onto what is said without being directed beyond it to the things themselves.

This tendency of to conceal is a theme to which Heidegger returns repeatedly in the courses of the 1920s. In a course from WS 1923/24 he argues that deception has its origin in the very facticity of language.6 In the unpublished course from SS 1924 ("Grundbegriffe der aristotelischen Philosophie"), the one that immediately preceded the Sophist lectures, Heidegger characterizes language as the proper domain of "Das Man" (18, 22) and describes the dominance of as leading to Gerede (7, 112).7 Heidegger therefore claims that because the Greeks lived in speech they were also imprisoned by it, with the result that a tremendous effort was needed for them to overcome their imprisonment and thus make science possible (41, 106 ).

In the Sophist lectures, Heidegger assigns to dialectic an important role in this effort. Given both the pervasiveness and the concealing character of , philosophy, in its attempt to disclose the things themselves, must both begin with and break through it by means of a "speaking for and against" (Für- und Gegensprechen) that destroys the autonomy and self-sufficiency that has in Gerede and in this way "leads more and more to the matter under discussion and lets it be seen" (GA19, 197). What is needed, in short, is dia-lectic: a speaking that passes through speech.

Already, however, one can see the tension that characterizes dialectic on Heidegger's account. Though dialectic is a , a speaking, it seeks to be more. Its aim is to disclose the things themselves of which it speaks, to see these things in a "pure seeing" uncontaminated by the...

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