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Teutonic Water: Effervescent Otherness in Doris Dörrie's Nobody Loves Me
Margaret McCarthy
Camera Obscura, 44 (Volume 15, Number 2), 2000, pp. 176-201 (Article)

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In a Desert Somewhere between Disney and Las Vegas: The Fantasy of Interracial Harmony and American Multiculturalism in Percy Adlon's Bagdad Cafe
Barbara Mennel
Amy Ongiri
Camera Obscura, 44 (Volume 15, Number 2), 2000, pp. 150-175 (Article)

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