The case of blackness

F Moten - Criticism, 2008 - JSTOR
F Moten
Criticism, 2008JSTOR
The cultural and political discourse on black pathology has been so perva sive that it could
be said to constitute the background against which all representations of blacks, blackness,
or (the color) black take place. Its man ifestations have changed over the years, though it has
always been poised between the realms of the pseudo-social scientific, the birth of new
sciences, and the normative impulse that is at the heart of—but thai strains against—the
black radicalism that strains against it. From the origins of the critical philosophy in the …
The cultural and political discourse on black pathology has been so perva sive that it could be said to constitute the background against which all representations of blacks, blackness, or (the color) black take place. Its man ifestations have changed over the years, though it has always been poised between the realms of the pseudo-social scientific, the birth of new sciences, and the normative impulse that is at the heart of—but thai strains against—the black radicalism that strains against it. From the origins of the critical philosophy in the assertion of its extra-rational foundations in teleological principle; to the advent and solidification of empiricist human biology that moves out of the convergence of phrenology, criminology, and eugenics; to the maturation of (American) sociology in the oscillation between good and bad-faith attendance to" the negro problem"; to the analysis of and dis course on psychopathology and the deployment of these in both colonial oppression and anticolonial resistance; to the regulatory metaphysics that undergirds interlocking notions of sound and color in aesthetic theory: blackness has been associated with a certain sense of decay, even when that decay is invoked in the name of a certain (fetishization of) vitality. Black radical discourse has often taken up, and held itself within, the stance of the pathologist. Going back to David Walker, at least, black radi calism is animated by the question, What's wrong with black folk? The extent to which radicalism (here understood as the performance of a general critique of the proper) is a fundamental and enduring force in the black public sphere—so much so that even black" conservatives" are always con strained to begin by defining themselves in relation to it—is all but self evident. Less self-evident is the normative striving against the grain of the very radicalism from which the desire for norms is derived. Such striving is directed toward those lived experiences of blackness that are, on the one hand, aligned with what has been called radical and, on the other hand,
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