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- Digital Price: $19.00 USD (All sales final)
- Western American Literature
- University of Nebraska Press
- Article
- Writing On: Blood Meridian As Devisionary Western Volume 33, Number 1, Spring 1998, pp. 6-26
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $28.50 USD.
This issue contains 27 articles in total
- Contributors
- Announcements
- Change in the American West: Exploring the Human Dimension ed. by Stephen Tchudi, and: Open Spaces/City Places: Contemporary Writers on the Changing Southwest ed. by Judy Nolte Temple (review)
- Reading the West: New Essays on the Literature of the American West ed. by Michael Kowalewski (review)
- Mark Medoff by Rudolf Erben, and: Thomas and Elizabeth Savage by Sue Hart, and: Theodore Strong Van Dyke by Peter Wild, and: George Bird Grinnell by Robley Evans (review)
- Charles Bukowski: A Sure Bet by Gerald Locklin (review)
- D. H. Lawrence: Future Primitive by Dolores LaChapelle (review)
- High Tide in Tucson: Essays from Now or Never by Barbara Kingsolver (review)
- Windmill: Essays from Four Mile Ranch by David Romtvedt (review)
- All Manner of Wild by Eric Walter (review)
- The Bunker in the Parsley Fields by Gary Gildner (review)
- Mind the Gap by Bert Almon (review)
- Muskox and Goat Songs by Olga Costopoulos (review)
- The Wichita Poems by Robert Headley, Rafael Zepeda (review)
- The Iris Deception by Bernard Schopen (review)
- The Dream Endures: California Enters the 1940s by Kevin Starr (review)
- The Dogs of Winter by Kem Nunn (review)
- The Sharp Teeth of Love by Doris Betts (review)
- From the Glittering World: A Navajo Story by Irvin Morris (review)
- Imagining Indians in the Southwest: Persistent Visions of a Primitive Past by Leah Dilworth (review)
- The Turn to the Native: Studies in Criticism and Culture by Arnold Krupat (review)
- Red Cloud: Oglala Warrior-Statesman
- From the Book Review Editor
- Another Version: Michael S. Harper, William Clark, and the Problem of Historical Blindness
- The True Witness of a False Event: Photography and Wright Morris’s Fiction of the 1950s
- Writing On: Blood Meridian As Devisionary Western
- From the Editor
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