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- Asian Theatre Journal
- University of Hawai'i Press
- Article
- Muromachi Musicals: Resetting Kyōgen in a Modern Medium Volume 24, Number 1, Spring 2007, pp. 262-268
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This issue contains 28 articles in total
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- From the Editors
- Between Tongues: Translation and/of/in Performance in Asia (review)
- Unspeakable Acts: The Avant-Garde Theatre of Terayama Shūji and Postwar Japan (review)
- Theatre of Yugen, 25 Years: A Retrospective (review)
- Developing Zeami: The Noh Actor's Attunement in Practice (review)
- The Kyōgen of Errors (review)
- Shakespeare in Japan (review)
- A Guide to the Japanese Stage: From Traditional to Cutting Edge (review)
- In a Thicket (review)
- The Drunkard's Revenge, and: Love's Labor (review)
- A Set of Kyōgen Adaptations: Henry Livings's Pongo Plays
- Muromachi Musicals: Resetting Kyōgen in a Modern Medium
- Theatre of Yugen's Direction of Kyōgen in English and Kyōgen Fusion Plays
- Authenticity and Accessibility: Two Decades of Translating and Adapting Kyōgen Plays for English and Bilingual Student Performances
- Kyōgen in English: A Bibliography
- Tradition in Transition: The Shigeyama Chūzaburō Kyōgen Family Looks to the Future
- Trapping The Fox and the Trapper : Maruishi Yasushi's Challenging Debut
- Kyōgen in the Postwar Era
- Japannequins : A New Bilingual Kyōgen Based on the Traditional Kyōgen Roku Jizō ( Six Jizō)
- Ana (Hole): A Modern Kyōgen Play
- Susugigawa (The Washing River): An Instant Classic
- Oko Sako (Oko and Sako): Wawashii Woman in the Kyōgen Oka and Sako
- Mikazuki (Winnowing Love)
- Chakagi Zatō (The Tea Sniffing Blind Men)
- Sakon Zaburō (Sakon Zaburō, the Hunter)
- Shimizu (Spring Water): Translating Shimizu for a Western Audience
- Suehirogari (The Fan of Felicity)
- Color Insert Plates
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