Theatre Topics
Volume 6, Number 1, March 1996
E-ISSN: 1086-3346 Print ISSN: 1054-8378
DOI: 10.1353/tt.1996.0004
E-ISSN: 1086-3346 Print ISSN: 1054-8378
DOI: 10.1353/tt.1996.0004
Kuftinec, Sonja, 1966-
A Cornerstone for Rethinking Community Theatre
Theatre Topics - Volume 6, Number 1, March 1996, pp. 91-104
The Johns Hopkins University Press
Sonja Kuftinec - A Cornerstone for Rethinking Community Theatre -
Theatre Topics 6:1 Theatre Topics 6.1 (1996) 91-104 A Cornerstone for
Rethinking Community Theatre Sonja Kuftinec Theatre scholars and
professional practitioners tend to refer to "community theatre" in
pejorative terms, conjuring images of Mickey Rooney and Judy Garland
rummaging through Granny's trunk in the barn, puttin' on a show. This
idea of community theatre may now be as clichéd as the genre itself is
perceived to be. Recent collaborations between experienced theatre
artists and a wide variety of communities have generated renewed
appreciation for the social and aesthetic possibilities of community
theatre. This field of performance, termed "community-based theatre,"
or "grassroots theatre," has begun to enter our consciousness in
descriptive, practical terms but has yet to be clearly situated in a
theoretical context. Some practitioners may fear that, perhaps,
critique amounts to criticism, endangering the fragile foundations of
nascent projects. In order to legitimize the field and investigate its
potential for making meaning, however, it is essential to scrutinize
community-based theatre and the ways in which the collaborative process
helps to build, perform, and destabilize community. Analysis of
Cornerstone Theatre's production process is an appropriate site for
this critical exploration of community-based work. Founded in 1986,
Cornerstone has worked in collaboration with...