The Velvet Light Trap
Number 57, Spring 2006
E-ISSN: 1542-4251 Print ISSN: 0149-1830
DOI: 10.1353/vlt.2006.0016
E-ISSN: 1542-4251 Print ISSN: 0149-1830
DOI: 10.1353/vlt.2006.0016
Gurney, David.
Film and Authorship (review)
The Velvet Light Trap - Number 57, Spring 2006, pp. 101-104
University of Texas Press
David Gurney - Film and Authorship (review) - The Velvet Light Trap 57
The Velvet Light Trap 57 (2006) 101-104 Wexman,
Virginia Wright, ed. Film and Authorship. New Brunswick, NJ: Rutgers
UP, 2003. 270 pages, $22.00 paper. Click for larger view Figure 1 In
film studies the concept of the author has experienced various degrees
of acceptance, ranging from full incorporation to vehement repudiation.
As a result, whether lauding or denying thepresence of the film author,
questions of authorship are inextricably woven into the fabric of film
studies. Now that the topic is viewed more affably than it has been in
the past, it is truly apropos that Film and Authorship, an anthology of
essays working with the idea of authorship in film, has been assembled
by editor Virginia Wright Wexman. Acting as both a recapitulation and
revaluation of topic, this collection works as an introduction to the
debates while focusing on the assertion of the viability of the author
as a framework within which to better understand film. Wexman's
introduction sets the stage rather nicely by offering an overview of
the topic without getting mired in minutiae. Examining such a seminal
strand of film theory could be rather intimidating, but Wexman gives
the reader a succinct grounding in the history of approaches to
authorship in film. Appropriately, she begins with an excavation of the
construction of authorial prominence, which is rooted in "the Romantic
notion of the creative genius...