Research in African Literatures
Volume 33, Number 4, Winter 2002
E-ISSN: 1527-2044 Print ISSN: 0034-5210
DOI: 10.1353/ral.2002.0135
E-ISSN: 1527-2044 Print ISSN: 0034-5210
DOI: 10.1353/ral.2002.0135
Wise, Christopher, 1961-
Saying "Yes" to Africa: Jacques Derrida's Specters of Marx
Research in African Literatures - Volume 33, Number 4, Winter 2002, pp. 124-142
Indiana University Press
Christopher Wise - Saying "Yes" to Africa: Jacques Derrida's Specters
of Marx - Research in African Literatures 33:4 Research in African
Literatures 33.4 (2002) 124-142 Saying "Yes" to
Africa: Jacques Derrida's Specters of Marx Christopher Wise Jacques
Derrida's Specters of Marx: The State of the Debt, the Work of
Mourning, and the New International (1994) is one of the most important
books of cultural theory to appear since the end of the cold war. Its
literary virtuosity is as remarkable as its value in suggesting new
directions for radical politics in the "post-Marxist" dispensation,
especially on an international scale. It would, however, be erroneous
to describe Derrida's book in strictly literary terms, or as a
masterpiece of print media, rather than an unusual transcription of an
important historical event. What must be emphasized is that Specters of
Marx functioned in the first instance as a voiced performance at a
specific place and time. Not unlike the Platonic dialogues Derrida has
famously subverted, Specters of Marx must be construed as a book that
seeks to subvert its own status as a merely reified and spatial
artifact. Although surprisingly few commentators have remarked upon
this book's deconstruction of the book form, it is finally impossible
to divorce Specters of Marx from its historical and performative
context, or, as Derrida would have it, from its "perverformative" and
stubbornly anti-logocentric basis in temporality. The...