Journal for the Study of Radicalism
Volume 1, Number 2, 2008
E-ISSN: 1930-1197 Print ISSN: 1930-1189
DOI: 10.1353/jsr.2008.0009
E-ISSN: 1930-1197 Print ISSN: 1930-1189
DOI: 10.1353/jsr.2008.0009
Jonathan Silverman
A "Dove with Claws"?: Johnny Cash as Radical
Journal for the Study of Radicalism - Volume 1, Number 2, 2008, pp. 91-106
Michigan State University Press
Jonathan Silverman - A "Dove with Claws"? Johnny Cash as Radical -
Journal for the Study of Radicalism 1:2 Journal for the Study of
Radicalism 1.2 (2007) 91-106 Muse Search Journals This Journal Contents
A "Dove with Claws"? Johnny Cash as Radical
Jonathan Silverman Pace University In 1969, Johnny Cash told the story
about his involvement in the Vietnam War in front of an enthusiastic
crowd at Madison Square Garden. He recounted a conversation he had with
a reporter after Cash returned from visiting troops in Vietnam. "That
makes you a hawk, doesn't it?" Cash says the reporter asked. Cash told
the audience that he answered, "'No, no, that don't make me a hawk.'
But I said if you watch the helicopters bring in the wounded boys, and
then you go into the wards and sing for 'em and try and do your best to
cheer 'em up, so they can get back home, it might make you a dove with
claws." He then launched into a cover of Ed McCurdy's "Last Night I Had
the Strangest Dream," a song about ending war. The image of a "dove
with claws" is striking -- the symbol of peace fused with a symbol of
aggression. On some level, the image makes little sense -- Cash later
called the metaphor "stupid"--as indeed doves already have claws; it's
the equivalent of talking about a dog with paws. But as an imaginary
symbol, perhaps a small peaceful bird with oversize claws, ready to
defend or attack as necessary, it works better. This problematic
metaphor is apt for Cash's own ventures...