Film & History: An Interdisciplinary Journal of Film and Television Studies
Volume 36.1 (2006)
E-ISSN: 1548-9922 Print ISSN: 0360-3695
DOI: 10.1353/flm.2006.0012
E-ISSN: 1548-9922 Print ISSN: 0360-3695
DOI: 10.1353/flm.2006.0012
Knecht, James R.
War in Film, Television, and History: Introduction
Film & History: An Interdisciplinary Journal of Film and Television Studies - Volume 36.1 (2006), pp. 12-13
Center for the Study of Film and History
War in Film, Television, and History: Introduction - Film &
History: An Interdisciplinary Journal of Film and Television Studies
36:1 Film & History: An Interdisciplinary Journal of Film and
Television Studies 36.1 (2006) 12-13 War in
Film, Television, and History: Introduction James R. Knecht Oklahoma
State University The war film -- a genre nearly as old as the business
itself. Just what is it about seeing images of soldiers and other
combatants on the big screen (or, for that matter, on the small screen)
that continually seems to fascinate the movie-going (and
television-watching) public? From the earliest days with films like
D.W. Griffith's Civil War epic The Birth of a Nation (1915), Hollywood
has been attracting audiences by telling war stories and recreating
famous battles, a process that still continues as films like Saving
Private Ryan (1998), We Were Soldiers (2002), and Jarhead (2005) score
big at the box office. Television, too, has tapped into this lucrative
market, as evidenced by the success of HBO's Band of Brothers (2001)
and the countless hours of footage the major news outlets have shown of
conflicts ranging from Vietnam (the first "television war") to events
occurring today in places like Iraq and Afghanistan. Film and
television are both intimately connected to war and history, and in
response to this fact we here at Film & History have dedicated much of
our recent time, energy, and this year's issues to examining the
...