Victorian Poetry Index: Volume 51, 2013

99	D.M.R. Bentley
	Dante Gabriel Rossetti’s “Absurd,” Antiquarian, and “Modern-Antique” Medievalism(s): Girlhood of Mary Virgin, The Bride’s Prelude, and “Stratton Water”
1	Alan P. Barr
	The Irony of Swinburne’s Atalanta in Calydon
147	S. Brooke Cameron
	The Pleasures of Looking and the Feminine Gaze in Michael Field’s Sight and Song
511	Ayşe Çelīkkol
	Secular Pleasures and FitzGerald’s Rubáiyát of Omar Khayyám
249	Sarah H. Ficke
	Crafting Social Criticism: Infanticide in “The Runaway Slave at Pilgrim’s Point” and Aurora Leigh
37	Michelle Geric
	Tennyson’s Maud (1855) and the “unmeaning of names”: Geology, Language Theory, and Dialogics
	Guide to the Year’s Work
81	John Hughes
	Meter and Context: Hardy’s “Neutral Tones”
443	Linda K. Hughes
	Narrative Matters: Keynote Address to “Forms and Fashions. A Conference in Celebration of the 50th Anniversary of Victorian Poetry”
271	Andrew Kay
	Swinburne, Impressionistic Formalism, and the Afterlife of Victorian Poetic Theory
63	Mary Mullen
	Two Clocks: Aurora Leigh, Poetic Form, and the Politics of Timeliness
177	Jason Nabi
	Tennyson with the Net Down: His “Freer” Verse
465	Albert D. Pionke
	Erotic, Prosodic, and Ethical-Aesthetic Forms of Triangulation in Augusta Webster’s Dramatic Studies and A Women Sold and Other Poems
227	Rebecca Rainof
	Victorians in Purgatory: Newman’s Poetics of Conciliation and the Afterlife of the Oxford Movement
487	Justin Sider
	Framing Tennyson’s Farewells: Authority and Materiality in “Morte d’Arthur”
201	Philip J. Stewart
	Clough’s Last Summer
297	Joanna Swafford
	Swinburne and the Möbius Strip: Circumvented Circularity in A Century of Roundels
311	Joshua Taft
	The Forms of Discipline: Christina Rossetti’s Religious Verse
129	Marion Thain
	“Thomas Hardy’s Poetics of Touch”
15	Megan Torti
	“The life of such dead things”: Psychological Obsession in Swinburne’s “Félise”
533	Lorraine Wood
	Filling in the Blanks: Music and Performance in Dante Gabriel Rossetti