We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE
OR

Find using OpenURL

Rent from DeepDyve Rent from DeepDyve

Water Rising
In lieu of an abstract, here is a brief excerpt of the content:

Beavers are the Shiva of the animal world. Who knows how a beaver chooses where to make her pond? But once she does, trees fall like spears of light then overnight disappear, dragged to underwater lairs, or left to float eerie carcasses, every branch and shred of bark stripped clean.

Last week I saw the beaver who’s been cutting down the woods near my house. It was evening, the weary light thinning through the trees by the time I reached the bridge. Sound came first, a crack so loud I flinched, thinking my neighbor had shot his gun. But across the newly flooded swamp, I saw a brown head cutting a silver v. Beaver, the first I’d seen.

One black eye visible, staring, back and forth she swam, a crease in flat silver, then she dove like some huge furious fish and her dark tail flicked up and slammed the surface. Another crack echoed through the trees, her warning.

Now my beaver swam faster and faster, back and forth before me on the bridge, fierce, her whole being focused on this one resolve, to make me go away. Again she slammed the water, sound booming through the trees.

This swamp was hers, her trickling dam, her fallen trees, her growing pond. Each day water rising. When I didn’t move she began to track me, that dark eye locked on my standing figure.

And this time, when she dove, she took me with her, my svelte younger self moving through the hot water ladled with silt, down to the bottom of the pond where she had carved her underwater trails, clawing roads through the deep muck.

When I surfaced I was middle aged, messy in my ways as if I had grown four sets of yellow teeth, two layers of fur, claws, and dark scales cascading down the thick paddle tail. Half fish, but no mermaid.

Leila Philip  

Leila Philip is the author of three books of nonfiction, including the award-winning memoir, A Family Place: A Hudson Valley Farm, Three Centuries, Five Wars, One Family (Viking 2001, Penguin 2002, SUNY Excelsior 2009). She has received numerous awards from her writing including: the Pen Martha Albrand Citation for Nonfiction and fellowships from the National Endowment for the Arts, The National Endowment for the Humanities, the Radcliffe Research and Study Center, and most recently, the Guggenheim Foundation. “Water Rising” is the title piece of a collaborative project of text and image which counterparts 11 watercolors by artist Garth Evans, with 11 pieces of Philip’s writing. The book Water Rising, is forthcoming in 2014.

Copyright © 2014 Ashland University
Project MUSE® - View Citation
Leila Philip. "Water Rising." River Teeth: A Journal of Nonfiction Narrative 15.2 (2014): 1-2. Project MUSE. Web. 4 Mar. 2014. <http://muse.jhu.edu/>.
Philip, L.(2014). Water Rising. River Teeth: A Journal of Nonfiction Narrative 15(2), 1-2. Ashland University. Retrieved March 4, 2014, from Project MUSE database.
Leila Philip. "Water Rising." River Teeth: A Journal of Nonfiction Narrative 15, no. 2 (2014): 1-2. http://muse.jhu.edu/ (accessed March 4, 2014).
TY - JOUR
T1 - Water Rising
A1 - Leila Philip
JF - River Teeth: A Journal of Nonfiction Narrative
VL - 15
IS - 2
SP - 1
EP - 2
PY - 2014
PB - Ashland University
SN - 1548-3339
UR - http://muse.jhu.edu/journals/river_teeth/v015/15.2.philip.html
N1 - Volume 15, Number 2, Spring 2014
ER -

...



You must be logged in through an institution that subscribes to this journal or book to access the full text.

Shibboleth

Shibboleth authentication is only available to registered institutions.

Project MUSE

For subscribing associations only.