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Editor's Note

From: Bulletin of the Comediantes
Volume 64, Number 1, 2012
p. ix | 10.1353/boc.2012.0013

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I first began reading Bulletin of the Comediantes as a student, during the "Golden Age" of James Parr's editorship. From that time forward, I have been struck not only by the richness of the Comedia but also by the variety of approaches to the plays and the array of visions of the society in which they were created. The same point is true in the present, as I continue to appreciate the range and depth of the essays and the scholarly gifts of the contributors. My predecessors Everett Hesse and James Parr recognized the need to mix critical and theoretical models and to present the work of young, as well as established, scholars. The blind evaluation process lends itself to evening the playing field, as it were. As always, we invite submissions on early modern Iberian and colonial Latin American theater. My thanks to Vincent Martin, Gwen Stickney, Thomas O'Connor, and the members of the editorial board for their dedicated work, to the contributors, and, last but hardly least, to our readers. [End Page ix]

Copyright © 2012 Bulletin of the Comediantes
Project MUSE® - View Citation
Edward H. Friedman. "Editor's Note." Bulletin of the Comediantes 64.1 (2012): ix-ix. Project MUSE. Web. 8 Jan. 2014. <http://muse.jhu.edu/>.
Friedman, E. H.(2012). Editor's Note. Bulletin of the Comediantes 64(1), ix. Bulletin of the Comediantes. Retrieved January 8, 2014, from Project MUSE database.
Edward H. Friedman. "Editor's Note." Bulletin of the Comediantes 64, no. 1 (2012): ix-ix. http://muse.jhu.edu/ (accessed January 8, 2014).
T1 - Editor's Note
A1 - Edward H. Friedman
JF - Bulletin of the Comediantes
VL - 64
IS - 1
SP - ix
EP - ix
PY - 2012
PB - Bulletin of the Comediantes
SN - 1944-0928
UR - http://muse.jhu.edu/journals/bulletin_of_the_comediantes/v064/64.1.friedman.html
N1 - Volume 64, Number 1, 2012
ER -


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