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Performing Identifications, Queering Autobiography: Reading Mark Dendy’s Dream Analysis

From: a/b: Auto/Biography Studies
Volume 28, Number 2, Winter 2013
pp. 242-271 | 10.1353/abs.2013.0015



This article examines Mark Dendy’s dance theater work, Dream Analysis, as a queered act of autobiography. Closely reading the choreographic and performance strategies of staging the narrative, I argue that the work re-imagines the autobiographical project through theatrical play with identification and representation.

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