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Table of Contents

  1. excerpts from The Unstable Subject and Changing the Subject
  2. Susan E. Jahoda
  3. DOI: https://doi.org/10.1353/yale.1996.0011
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  1. Conclusions Based on Observation
  2. Anne Higonnet
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/yale.1996.0004
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  1. Iconology at the Movies: Panofsky's Film Theory
  2. Thomas Y. Levin
  3. pp. 27-55
  4. DOI: https://doi.org/10.1353/yale.1996.0008
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  1. Chaplin Times Two
  2. Theodor W. Adorno, John MacKay
  3. pp. 57-61
  4. DOI: https://doi.org/10.1353/yale.1996.0001
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  1. "Illusion Complete Within Itself": Roy DeCarava's Photography
  2. Maren Stange
  3. pp. 63-92
  4. DOI: https://doi.org/10.1353/yale.1996.0007
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  1. The Figure on the Page: Words and Images in Wright Morris's The Home Place
  2. John Hollander
  3. pp. 93-108
  4. DOI: https://doi.org/10.1353/yale.1996.0006
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  1. Wright Morris's "Photo-Texts"
  2. Alan Trachtenberg
  3. pp. 109-119
  4. DOI: https://doi.org/10.1353/yale.1996.0010
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  1. Discovering India, Imagining Thuggee
  2. Parama Roy
  3. pp. 121-145
  4. DOI: https://doi.org/10.1353/yale.1996.0009
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  1. Pramoedya's Fiction and History: An Interview with Indonesian Novelist Pramoedya Ananta Toer
  2. Pramoedya Ananta Toer, Christopher Lloyd GoGwilt
  3. pp. 147-164
  4. DOI: https://doi.org/10.1353/yale.1996.0005
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  1. Excerpt from This Earth of Mankind Chapter I and from Chapter 2
  2. Pramoedya Ananta Toer, Max Lane
  3. pp. 165-171
  4. DOI: https://doi.org/10.1353/yale.1996.0003
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  1. Notes on Contributors
  2. pp. 173-174
  3. DOI: https://doi.org/10.1353/yale.1996.0002
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