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Table of Contents

  1. Comments From the Symposium Dinner, October 20, 1995
  2. Jules David Prown
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/yale.1998.0019
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  1. The Ashes of Germanicus and the Skin of Painting: Sublimation and Money in Benjamin West's Agrippina
  2. Alexander Nemerov
  3. pp. 11-27
  4. DOI: https://doi.org/10.1353/yale.1998.0017
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  1. Le Corset: A Material Culture Analysis of a Deluxe French Book
  2. Valerie Steele
  3. pp. 29-38
  4. DOI: https://doi.org/10.1353/yale.1998.0023
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  1. Looking and Difference in the Abstract Portraits of Charles Demuth and Duncan Grant
  2. Diane Dillon, Christopher Reed
  3. pp. 39-51
  4. DOI: https://doi.org/10.1353/yale.1998.0006
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  1. Copley and the Case of the Blue Dress
  2. Margaretta M. Lovell
  3. pp. 53-67
  4. DOI: https://doi.org/10.1353/yale.1998.0014
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  1. The Dead Bride
  2. Robin Jaffee Frank
  3. pp. 69-78
  4. DOI: https://doi.org/10.1353/yale.1998.0007
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  1. Mind in Matter in History: Viewing The Greek Slave
  2. Joy S. Kasson
  3. pp. 79-83
  4. DOI: https://doi.org/10.1353/yale.1998.0012
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  1. Making Furniture in the Salisbury Iron Region: The Case of Bates How
  2. Edward S. Cooke
  3. pp. 85-93
  4. DOI: https://doi.org/10.1353/yale.1998.0005
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  1. Seeing Coney Island, Seeing Culture: Joseph Stella's Battle of Lights
  2. John F. Kasson
  3. pp. 95-101
  4. DOI: https://doi.org/10.1353/yale.1998.0011
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  1. Who's Sitting at the Table?: William Sidney Mount's After Dinner 1834
  2. Bruce Robertson
  3. pp. 103-109
  4. DOI: https://doi.org/10.1353/yale.1998.0020
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  1. John Quidor and the Demonic Imagination: Ichabod Crane Flying from the Headless Horseman (c.1828)
  2. Rebecca Bailey Bedell
  3. pp. 111-118
  4. DOI: https://doi.org/10.1353/yale.1998.0002
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  1. "Type of a Back Civilization": Worthington Whittredge's Santa Fe
  2. Kenneth John Myers
  3. pp. 119-128
  4. DOI: https://doi.org/10.1353/yale.1998.0016
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  1. FLASH! The Speed Graphic Camera
  2. Jodi Hauptman
  3. pp. 129-137
  4. DOI: https://doi.org/10.1353/yale.1998.0009
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  1. Art in the Atomic Age: Ben Shahn's Stop H-Bomb Tests
  2. Laura Katzman
  3. pp. 139-158
  4. DOI: https://doi.org/10.1353/yale.1998.0013
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  1. Looking and Touching: Spectacle and Collection in Sontag's Volcano Lover
  2. Brigitte Peucker
  3. pp. 159-165
  4. DOI: https://doi.org/10.1353/yale.1998.0018
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  1. Two Women Dancing
  2. Jonathon Robinson Appels
  3. pp. 167-174
  4. DOI: https://doi.org/10.1353/yale.1998.0001
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  1. The Americanization of Clarissa
  2. Leonard Tennenhouse
  3. pp. 177-196
  4. DOI: https://doi.org/10.1353/yale.1998.0025
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  1. "Baby's Picture is Always Treasured": Eugenics and the Reproduction of Whiteness in the Family Photograph Album
  2. Shawn Michelle Smith
  3. pp. 197-220
  4. DOI: https://doi.org/10.1353/yale.1998.0022
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  1. Forgetting Lot's Wife: Artaud, Spectatorship, and Catastrophe
  2. Martin Harries
  3. pp. 221-238
  4. DOI: https://doi.org/10.1353/yale.1998.0008
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  1. Pasolini on Terra Sancta : Towards a Theology of Film
  2. Noa Steimatsky
  3. pp. 239-258
  4. DOI: https://doi.org/10.1353/yale.1998.0024
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  1. The Horizontal Walk: Marilyn Monroe, CinemaScope, and Sexuality
  2. Lisa Cohen
  3. pp. 259-288
  4. DOI: https://doi.org/10.1353/yale.1998.0003
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  1. Language Lessons: Linguistic Colonialism, Linguistic Postcolonialism, and the Early Modern English Nation
  2. Richard Helgerson
  3. pp. 289-299
  4. DOI: https://doi.org/10.1353/yale.1998.0010
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  1. Prospects for Global English: Back to BASIC?
  2. David Simpson
  3. pp. 301-307
  4. DOI: https://doi.org/10.1353/yale.1998.0021
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  1. British and American Art at Yale: Papers in Honor of Jules D. Prown: Introduction
  2. David M. Lubin
  3. pp. 3-7
  4. DOI: https://doi.org/10.1353/yale.1998.0015
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  1. Notes on Contributors
  3. pp. 309-312
  4. DOI: https://doi.org/10.1353/yale.1998.0004
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