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Browse Book and Journal Content on Project MUSE

Volume 41, Numbers 1 & 2, Spring/Summer 2013

Table of Contents


Eugenia Paulicelli and Elizabeth Wissinger

Editors' Note: House Style

pp. 9-13 | DOI: 10.1353/wsq.2013.0060


pp. 14-27 | DOI: 10.1353/wsq.2013.0065

Part I. Tailoring

Cloth manifesto

pp. 31-34 | DOI: 10.1353/wsq.2013.0070

Designing Women: Feminist Methodologies in American Fashion

pp. 35-59 | DOI: 10.1353/wsq.2013.0043

More than a "Passing" Sophistication: Dress, Film Regulation, and the Color Line in 1930s American Films

pp. 60-86 | DOI: 10.1353/wsq.2013.0048


pp. 87-88 | DOI: 10.1353/wsq.2013.0053

Eugene Vernier and Vogue Models in Early "Swinging London": Creating the Fashionable Look of the 1960s

pp. 89-107 | DOI: 10.1353/wsq.2013.0058

Twiggy and Me

pp. 108-109 | DOI: 10.1353/wsq.2013.0063

Part II. Shaping and Stitching

From a Daughter of the Republic to a Femme Fatale: The Life and Times of Turkey's First Professional Fashion Model, Lale Belkıs

pp. 113-130 | DOI: 10.1353/wsq.2013.0068

Picking up the Threads: Model Approach Helps Cambodia Design a New Fashion Image

pp. 131-149 | DOI: 10.1353/wsq.2013.0041

Himba in the Mix: The "Catwalk Politics" of Culture in Namibia

pp. 150-161 | DOI: 10.1353/wsq.2013.0046

"People Don't Attack You If You Dress Fancy": Consuming Femininity in Contemporary China

pp. 162-181 | DOI: 10.1353/wsq.2013.0051

Part III. Adorning and Accessorizing

Should My Bum Look Bigger in This?: —Re-dressing the Beauvoirean Femme

pp. 184-193 | DOI: 10.1353/wsq.2013.0056

On Rereading Simone de Beauvoir's The Second Sex After Thirty-Five Years

pp. 194-196 | DOI: 10.1353/wsq.2013.0061

"To Care for Her Beauty, to Dress Up, Is a Kind of Work": Simone de Beauvoir, Fashion, and Feminism

pp. 197-201 | DOI: 10.1353/wsq.2013.0066

Human Plant, 1999

pp. 202-203 | DOI: 10.1353/wsq.2013.0039

In a Single Shoe: The Marabou Mule

pp. 204-205 | DOI: 10.1353/wsq.2013.0044

Part IV. Layering and Slashing

Fashionable Resistance: Queer "Fa(t)shion" Blogging as Counterdiscourse

pp. 209-224 | DOI: 10.1353/wsq.2013.0049

Sleeping with Everyone

p. 225 | DOI: 10.1353/wsq.2013.0054

Queer Dandy Style: The Cultural Politics of Tim Gunn's Asexuality

pp. 226-244 | DOI: 10.1353/wsq.2013.0059

Electric Dress: Atsuko Tanaka, Electrical Dress, 1956

pp. 245-246 | DOI: 10.1353/wsq.2013.0064

How Do You Dress a Body Without Organs?: Affective Fashion and Nonhuman Becoming

pp. 247-265 | DOI: 10.1353/wsq.2013.0069

Killing the Dress

p. 266 | DOI: 10.1353/wsq.2013.0042

Cut, Layer, Break, Fold: Fashioning Gendered Difference, 1970s to the Present

pp. 267-284 | DOI: 10.1353/wsq.2013.0047

Part V. The Mock-Up

Absences and Outages

pp. 287-297 | DOI: 10.1353/wsq.2013.0052

Moire Faille

pp. 298-302 | DOI: 10.1353/wsq.2013.0057

The Art of Fabrication

pp. 303-311 | DOI: 10.1353/wsq.2013.0062

Part VI. Book Reviews

Decorating the Divas of Renaissance Society

pp. 315-317 | DOI: 10.1353/wsq.2013.0067

Fashion Landscapes: Networks, Markets, and Agents

pp. 318-322 | DOI: 10.1353/wsq.2013.0040

Tackling the Racial Intimacies that Fashioned a Generation

pp. 323-325 | DOI: 10.1353/wsq.2013.0045

An Interpretative Tour of Paris as Fashion Capital

pp. 326-329 | DOI: 10.1353/wsq.2013.0050

Part VII. Alerts and Provocations

Articulo 6: Narratives of Gender, Strength, and Politics

pp. 332-340 | DOI: 10.1353/wsq.2013.0055

Research Areas


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