+ MUSE Alert

In this Issue

Table of Contents

  1. One Summer in the Week of Itke K.
  2. Jeannette Lander, Jeanette Clausen
  3. pp. 1-16
  4. DOI: https://doi.org/10.1353/wgy.2000.0004
  5. restricted access
  1. "I am not a part of this. I can laugh at it. But I know it.": A Conversation with Jeannette Lander
  2. Marjanne Goozé, Martin Kagel
  3. pp. 17-31
  4. DOI: https://doi.org/10.1353/wgy.2000.0024
  5. restricted access
  1. Point of No Return: Conflicting Desires in Jeannette Lander's Novel Eine unterbrochene Reise
  2. Monika Shafi
  3. pp. 33-48
  4. DOI: https://doi.org/10.1353/wgy.2000.0018
  5. restricted access
  1. Historicizing Canonicity: Tradition and the Invisible Talent of Mechthild von Magdeburg
  2. Sara S. Poor
  3. pp. 49-72
  4. DOI: https://doi.org/10.1353/wgy.2000.0012
  5. restricted access
  1. Doctor Faustus Impotent?: Fantasizing the Male Body in the Historia von D. Johann Fausten
  2. Bettina Mathes
  3. pp. 73-95
  4. DOI: https://doi.org/10.1353/wgy.2000.0006
  5. restricted access
  1. "She Would Rather Depart the Earth in Fire": Reading Diotima's Death in Friedrich Hölderlin's Hyperion Or the Hermit in Greece
  2. Yuna Shin
  3. pp. 97-115
  4. DOI: https://doi.org/10.1353/wgy.2000.0000
  5. restricted access
  1. Fear of the Feminine: (Homo)Sexuality and Economics in Brecht's Jungle of Cities
  2. Hedwig Fraunhofer
  3. pp. 117-135
  4. DOI: https://doi.org/10.1353/wgy.2000.0032
  5. restricted access
  1. The Adult Children of Early Cinema
  2. Karen J. Kenkel
  3. pp. 137-160
  4. DOI: https://doi.org/10.1353/wgy.2000.0026
  5. restricted access
  1. No Man, No Cry? The Film Girls in Uniform and Its Discourses of Political Regime
  2. Nina Zimnik
  3. pp. 161-183
  4. DOI: https://doi.org/10.1353/wgy.2000.0020
  5. restricted access
  1. Grand Hotel: The Sexual Politics of a Popular Culture Classic
  2. Lynda J. King
  3. pp. 185-200
  4. DOI: https://doi.org/10.1353/wgy.2000.0014
  5. restricted access
  1. Women's Film Culture in the Sixties: Stars and Anti-Stars from Papas Kino to the German New Wave
  2. Temby Caprio
  3. pp. 201-225
  4. DOI: https://doi.org/10.1353/wgy.2000.0009
  5. restricted access
  1. Elusive Images of Women, Home, and History: Deconstructing the Use of Film and Photography in Edgar Reitz's Heimat
  2. Julia F. Klimek
  3. pp. 227-246
  4. DOI: https://doi.org/10.1353/wgy.2000.0002
  5. restricted access
  1. An Authentic Experience of History: Tourism in Ulrike Ottinger's Exil Shanghai
  2. Kirsten Harjes, Tanja Nusser
  3. pp. 247-263
  4. DOI: https://doi.org/10.1353/wgy.2000.0034
  5. restricted access
  1. About the Authors
  3. pp. 265-269
  4. DOI: https://doi.org/10.1353/wgy.2000.0028
  5. restricted access
  1. Acknowledgments
  3. pp. vii-viii
  4. DOI: https://doi.org/10.1353/wgy.2000.0036
  5. restricted access
  1. Preface
  2. Patricia Herminghouse, Susanne Zantop
  3. pp. ix-xii
  4. DOI: https://doi.org/10.1353/wgy.2000.0030
  5. restricted access
  1. Contents of Previous Volumes
  3. pp. 273-279
  4. DOI: https://doi.org/10.1353/wgy.2000.0016
  5. restricted access

Previous Issue

Volume 14, 1999

Next Issue

Volume 16, 2000